Quote:
Originally Posted by narc792
Now on the other hand I have a rolland M-400 so i can EQ a bit better and can throw a gate on the shotgun mics so I wont have to actually monitor them as much.
Thanks for the quick responses guys! You're saving my life here!
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A gate can be effective, but do not rely on it to do the work for you. I think the best technique is to really ride the levels of the mics. Trying to keep the mics that are not being used down or muted, while mixing the mics in close proximity to the actors while they are talking. Believe it or not, area micing a show, when done right, can be demanding on an operator.
I have had great expirences with Audio Technica shotgun mics, as well as the Beyer MCM86N.
~Dave