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Old December 22nd, 2007, 12:07 PM
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icewolf08 icewolf08 is offline
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Default Re: To take a cue or not take a cue, that is the question

allthings, it isn't that I don't agree with what you are saying, but I wouldn't even try to fix a cue gone awry without the SM's approval first. Why? Because in the heat of the moment if you key in the fix just a little wrong you can be hosed. I have done it before, where lights came up in the complete wrong color and the SM asked me to fix it, and in the slim seconds I had, I probably had a "fat fingered moment" where something else got captured and then didn't go out in the next blackout. And this was with the blessing of the SM.

I have run hundreds of shows, and I know what I am doing. I am a good programmer, but sometimes mistakes happen, and frankly I would rather have a blown lamp than an extra fixture track through a blackout. Sure, you have to pay attention and you have to know how and when to reset a moving light if it gets stuck such that it will be unobtrusive to the audience, but I would still get an OK from the SM first. Usually (though not always) the cast is smart enough that if they are truly standing in the dark they will take a few steps over into the light. Most plots have three or four different systems focused to each area, so unless the actor is only in a single special, if one lamp goes out you just aren't in that bad shape that you need to be turning on more lights.
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Alex Weisman
Master Electrician
Pioneer Theatre Company

"Crap happens, it is our job as technicians to fix the problem and see if it can be avoided. That does not mean yelling at actors or other crew people. People make mistakes, that is life. Welcome to live theatre, if it were the same every night it would be TV." ~Me

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