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How big of a deck, what's the final load going to be on it? how long will it be in service? is you don't know the exact load, how many people are going to be standing on it ? Dancing ? milling around ?
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Van J. McQueen Technical Director Artists Repertory Theatre "Ask What you Want, Answer what you can." That's my motto. Mine! Get it? Don't steal my motto! It makes me cranky! |
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lower level is 6" high and 3-5' deep. Upper level is around 5-8 feet deep. Both decks run the entire width of the stage which is about 16 feet.The show is running for 6 weeks with 5 actors who will be dancing, ect.
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Dustin C Niagara University Scenic & Lighting Tech |
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I would go with no less that 3/4" cdx with a Masonite top, or 5/8" OSB if you can find the T&G osb it's better for dancing.
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Van J. McQueen Technical Director Artists Repertory Theatre "Ask What you Want, Answer what you can." That's my motto. Mine! Get it? Don't steal my motto! It makes me cranky! |
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I concur with Van. 3/4 is minimal even with your solid framing.
Will you reuse this platform. If so, make the argument that the platforms will be going into stock. Sometimes there is a budget for necessary stock items. |
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If your superiors give you flack about the extra cost use the magic word 'liability' should one of the dancers go through the deck. I tried using 1/2 ply for a 4'X4' that would only be walked on, and then practically developed an ulcer as I watched it flex every time it was stepped on. Never again.
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The large print giveth, and the small print taketh away. Tom Waits |
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Although my experience is much less than the previous posters, stick with the ¾-inch plywood. We have a few 4x4 platforms with ¾-inch decks, and for a recent recital, we had to use an extra older 4x4 platform that had a 1/2-inch deck. It had way too much flex but only needed to be walked on. We reinforced it from below with more 2x4s. (Luckily, it only needed to be stepped on by one dancer, not danced on.)
Joe |
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There is a school of thought out there that says you can use thinner woods... I believe "The Stock Scenery Construction Handbook" is in favor of thinner stock if I remember right. Some people use 5/8" or even 1/2". Unless it gets really abused, you have a lot of actors, or heavy actors on the platform the thinner woods will not break... do the math about the load, don't just guess. However, I have not been impressed with the results I have seen. Thinner wood flexes and that means, a stage that is moving which means more noise, and a hollow sound. It can be done if you need to for a traveling show but it's not a result you are going to be happy with for the most part (again do the math).
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Community College Technical Director If you have learned as much from CB as I have, donate now to keep CB alive for others to find and learn from. |
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If you have stock of 1/2" then simply double up, it will be stronger than 3/4, it is a waste of money in the long term but solves the short term problem.
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David Ashton All Things Theatre Perth,Australia "for every complex problem there is a solution which is neat, simple,and wrong" H. L. Menken |
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