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im trying to help advise a client on whether or not to spend the money for a theater with fly space and counterweights versus a dead hung, no fly space design. what ciritcal questions do i need to have the client answer in order to determine which system is right for them? if you were building a new building, which would you program into the design? presently, the client anticipates using the space for "childrens theater" (ages 5 to 18), dance performances, and graduation / assembly type performances. im interested in any feedback that people in the industry can provide me....
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Chances are, the height of the stagehouse will be based on the architectural design and the budget. If the gridiron is not at least 2x the proscenium height, the cost of a counterweight system probably could not be justified.
After that question, the next more important is "Who will be the operators of the system?" This should help to choose between counterweight, automated, motorized, or dead-hung rigging. See also: http://www.controlbooth.com/forums/p...ewpoll&t=12480, http://www.controlbooth.com/forums/g...y-systems.html, and the articles on this page: J.R. Clancy Operation & Safety - Articles.
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Are we talking Traditional Proscenium, Modified thrust Pro ?
Honestly if I had my druthers, I'd always have a fly system installed in a Proscenium situation, if not people will be cursing your name for the next 40 yrs. The biggest question of course is budget. While the effectiveness of a fly space is often considered to be directly proportional to it's height, I can tell you that even in a couple of venues I've worked that only had half-pro height fly's the system was greatly appreciated and well used. Budget is going to be impacted not only by the additional structure necessary to support a fly system, but by the cost of the system itself. One of the best things I've ever seen done in a situation where the client couldn't make up their mind and budgets were tight or fluctuating on a daily basis, was what Nike did in The Stanford Theatre at the Tiger Woods center on their World Headquarters campus. They built the buliding for a fly system, but didn't install it. Couple years later; after enough clients had asked for things that couldn't be done, after enough money was spent on Overhire for the Lighting departments 'cause the electrcians had to do everything by ladder and Genie, Somebody decided to add a rail, and about half the total number of battens to fill the space. They can still expand more, if they want. This really helped keep costs down on the initial build but and it's a big but, they planned ahead and the structure was all there. A retro -fit is never cheap. Hope that helps a bit.
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Van J. McQueen Technical Director Artists Repertory Theatre Some people are like Slinkies... Not really good for anything, But they still bring a smile to your face......... When you push them down a flight of stairs..... |
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I like Van's idea.
If I had a say in the design I would make sure that the electrics were motorized. I'm guessing that most of the workers are going to be volunteer and not trained. I've worked with dead hung electrics and its a pain. It is so much easier to be able to bring in the electric and hang everything, then all you have to do on a genie/ladder is just focus.
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- Will When you do things right, people won’t be sure you’ve done anything at all." - God - Futurama
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I'm somewhere... Last edited by lieperjp; April 23rd, 2009 at 10:13 AM.. |
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if i know that my "technicians" will be volunteers, what system would you recommend?
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By “volunteers”, do you mean an unpaid staff that will be involved more or less long-term and committed, such as at a community theatre or lodge?
Or do you mean short-term volunteers (to meet some “voluntary” obligation) that are associated with the new building’s organization or associated with outside groups that would use the facility, such as dance schools or acting schools? Joe |
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Since it sounds like it will be in a public place, be sure if you do install a fly rail, the access to it can be locked out to prevent people that shouldn't be touching it from touching it.
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I'm somewhere... |
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I think in all cases you have to assume that the people staffing and operating the facility are going to be trained and knowledgeable. I know that's a big, maybe even dangerous assumption, but if we're talking about what's best for the comunity/school/betterment-of human-kind..... then you have to take the "who's going to be running it?" question off the table. As we all know manually operated or electric flys can be dangerous and even deadly. So responsibility for proper operational protocols falls on the eventual facilities / technical director. I don't feel the overall effectiveness of the facilitys future should be limited by the staffing of the present. Who Knows? two years from now the operator of the facility reaches a deal with the Local IA and there is nothing but Licensed riggers in there all the time. Would it not completely suck to then be limited by a short dead hung space ?
Back to the OP's last question..... I'm a big fan of electrically operated Electric battens, but I'm real old school when it comes to the other lines. I prefer a manual system, and once you see the price tag for a fully automized mecahnical system you will be too.
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Van J. McQueen Technical Director Artists Repertory Theatre Some people are like Slinkies... Not really good for anything, But they still bring a smile to your face......... When you push them down a flight of stairs..... |
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