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Certainly there are a lot of theatrically related jobs to electrical engineering. The first thing to do is to research equipment manufacturers. You can find lists of them by looking through EPD- The Event Production Directory or look at who's exhibiting at LDI. Also, you can look at the AV community at Infocomm.
You should get to know ESTA and USITT very well since they set the standards for our industry. If you are willing to expand out of lighting, you might consider Fisher Technical Services, Inc. here in Las Vegas. |
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I know most of the large scenery houses would love to have a EE on staff. After you get your masters, you might fall in the overqualified field however.
But Strand, ETC, HES, Barco, and all the rest need EE's with theatre backgrounds. If the developer actually knows what the product should it just makes things easier. |
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I'd also suggest subscribing to Entertainment Engineering Home if you don't already.
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I was unaware of "Entertainment Engineering", but it looked realllly interesting so I signed up. Thanks for that resource!
I am definately willing to expand out of lighting. Lighting is just what I'm most familiar with, but the technologies behind lighting, sound, automation, etc, it's all very interesting stuff in my opinion. Actually I think automation would be an extremely cool thing to get into, I just have no experience with it at all. The thing I'm not so willing to do (well, I'd prefer not to do; if I get desperate enough though, who knows) is to leave the NY area. I guess that was sort of my main question. I know there are manufacturers (let's take ETC as an example) that have NY offices. But if they don't do any engineering work there (i.e. it's just a sales office or something) it's not really going to do me any good. Does anybody know if any of the manufacturers do engineering work in NY?
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Chris Polanish Technical Consultant Commack High School, NY |
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I can only speak for the automation side of things, but Hudson Scenic is located in Yonkers and they do a lot of automation for Broadway shows and the like. PRG also has there scenic devision called Scenic Tech in Southern NY but it would be a bit more of a commute for you because they're located in New Windsor. Both of those places hire engineers for they're automation work.
And if you are willing to venture outside of NYC there are lots of companies that like hiring engineers with theatre experience.
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Chris Herb Mechanical Engineering '09 Clarkson University |
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I would also check with the theater consulting section of the world. The combination of theater and electrical engineering is not a common combination and would be a great asset.
Here are some examples: Theater Project Consultants Theatre Projects Consultants - welcome APF Welcome to Auerbach Consultants Just a thought! |
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Thanks for the tips. I'd heard of Hudson Scenic but had never really looked into them and thus forgot about them when I was looking around. That looks like a really neat company to get involved with. I would apply for one of the internships (I'm only 22, it could work
As for consultant work, that's something I hadn't thought of, but that's why I ask these kinds of questions. I'll have to investigate further. I feel like I actually gave a resume to Auerbach when I was going to job fairs at one point though... If anybody has other suggestions, please, keep them coming. I'm quite interested to find out the different possibilities that are out there.
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Chris Polanish Technical Consultant Commack High School, NY |
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I don't know if you have thought of this, but in some instances the EE element might have more value if you had a PE so that you could stamp drawings and certify work. I know that I've run into this multiple times in the past related to lighting, there is often a disconnect between the theatrical consultant/designer and the Electrical Engineer since any Electrical drawings have to be stamped by a licensed PE in Electrical Engineering for that state but there are ethical and legal issues with an EE stamping work they did not create or control. So be it with a manufacturer, supplier, engineer or designer, someone who understands the theatre aspect and can also address the electrical side and stamp the drawings could be of value.
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Brad Weber audio, audiovisual and acoustical consultant www.museav.com |
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