A Good Play for Set Design Class

[Daffey]

Hi guys,
I'm just curious as to find any advice on a good script/play for a set design class? Preferably a one act play or something without too many scene changes (proscenium stage/no fly bars/very limited wings n backstage area). My lecturer leaves it to us to pick any script and we are suppose to come out with a design n a model for the play.

Thanks.

[mixmaster]

Most of the plays I've been involved with use multiple sets moving in and out from the wings or up and down. With your limitations something like that may not be practical. I do remember one play from high school though, Musical Comedy Murders Of....... (It's been a while). We built it to take place in a single set, a library if memory serves, but had some fun with practicals for all the murders. Our University's tech director/scenic designer also did Send Me A Tenor on a single set. It was a huge set though. Now that I think about it, I saw Grease done in front of a single backdrop somewhere.....multilevel if memory serves......

Now, I've done a lot of shows with sets and backdrops on wagons. Scene changes consist of doing scene one, while presetting scene two on the backs of the wagon. Then spinning the wagons around to reveal scene two, and the running crew clearing scene one stuff and putting out scene three stuff on the "back" of the wagons while scene two is underway. It's a good way to get a couple different scene changes into a small space with limited wings.

[lieperjp]

Originally Posted by mixmaster

Most of the plays I've been involved with use multiple sets moving in and out from the wings or up and down. With your limitations something like that may not be practical. I do remember one play from high school though, Musical Comedy Murders Of....... (It's been a while). We built it to take place in a single set, a library if memory serves, but had some fun with practicals for all the murders. Our University's tech director/scenic designer also did Send Me A Tenor on a single set. It was a huge set though. Now that I think about it, I saw Grease done in front of a single backdrop somewhere.....multilevel if memory serves......

Now, I've done a lot of shows with sets and backdrops on wagons. Scene changes consist of doing scene one, while presetting scene two on the backs of the wagon. Then spinning the wagons around to reveal scene two, and the running crew clearing scene one stuff and putting out scene three stuff on the "back" of the wagons while scene two is underway. It's a good way to get a couple different scene changes into a small space with limited wings.

Having just done that show, (you were thinking of Musical Comedy Murders of 1940, by John Bishop) I would agree that it would be a good show to do for a class. When we did it we had it set up as one set but three different areas (Library, Foyer, and a Study/Living area.)

[paradoxism]

By the sound of it you want a play that can show off your creativity with a minimum of resources - try taking a look at some of the John Godber works like Bouncers or Shakers - uses a large number of scenes but they all run into each other (with characters all being played by 4 actors doubling) so you need to use your imagination and look more at levels and non-descript set pieces to provide the scenery. Can't have big scene changes because there simply isn't time!

You could try a classic like Of Mice and Men which doens't need a lot of space but can be very creative.

Otherwise pick a single location play with an interesting location to recreate - try murder mysteries for example as they always seem to have interesting settings.

Probably a good idea to look at what you're being assessed on too - pick a set that is going to tick lots of boxes for the assessor.

Good luck!

[soundlight]

Streetcar Named Desire. No real moving parts in the set, but you can talk a lot about how the set develops in terms of props throughout the play.

[icewolf08]

My favorite (and the favorite of my professors) is Arcadia, by Tom Stoppard. It is a beautiful script and only has one set, but you will have to do period research and all that kind of stuff. It is a great read and a fun, interesting design.

[ruinexplorer]

Something I would have liked to have done is Sleuth by Anthony Shaffer. Multiple areas, but as it is a murder mystery, the set had to be one piece with the actors moving around it as the action is quick.

Another favorite is Somehting Funny Happened on the Way to the Forum, a musical with music and lyrics by Stephen Sondheim and a book by Burt Shevelove and Larry Gelbart.

Another thing to consider is that you don't need to have realism in your design (unless that is part of your assignment). I remember someone doing a certain Shakespearean play where the set looked like a Celtic Cross, with varying levels for where the different action would take place.

You could also consider some of the Greek tragedies. Set design is completely up to you at that point.

[jessamarie6]

Or Greek Comedies. Arisophanes' "the Frogs", or "Lysistrata"

In the end it's about what you want ot show off. Do you want to create a really imaginative abstract environment based on your crazy artistic ideas? Do you want to show off your research work and historical adaptation? Do you want to show your creative problem solving skills.
If you get more specific I'm sure many of us could recommend some really wonderful scripts to consider.

[Sony]

If you want something simple and a One Act, try something by David Ives! I've always loved his short one act comedies.

[derekleffew]

How does a scenic design for an Edward Albee play differ from that of Tennessee Williams, Arthur Miller, Neil Simon, or David Mamet? One of the most challenging designs ever is Peer Gynt by Henrik Ibsen.