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I'm putting together an operations manual for a theater and item I would like to include is a chart of time estimates for the various projects that are done on a regular basis in road houses. This chart will partially be for my immediate superior (an administrator with no stage craft experience), but mostly for rental clients (read: dance recitals) so when they ask for something I can show them the chart and see if they really want to invest that time (read: Money).
My format so far has been as follows: Project - how long it will take - steps involved. Here's what I have so far, Is there anything anyone else would like to add to the list? Rehang an electric - 1 to 2 hours - Hang instruments, Circuit, Re-weight batten, patch and focus Hang a single instrument - 15 to 30 minutes - Hang instrument, Circuit, Re-weight batten, patch and focus Hang, a complete plot - 8 to 10 hours - Hang instruments, Circuit, Re-weight, patch and focus (Requires crew of 3 at minimum) Refocus an instrument 5 to 15 minutes Re-gel a wash 20 to 30 minutes Program a cue 5 to 15 minutes Move a piece of soft goods - 30 to 45 minutes - Bring in the batten, re weight, transfer soft goods, load weight on new batten (Requires Crew of 3 at minimum) ) |
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Alex Weisman Master Electrician - Pioneer Theatre Company IceWolf Photography Soup or art? "Crap happens, it is our job as technicians to fix the problem and see if it can be avoided. That does not mean yelling at actors or other crew people. We make mistakes, that is life. Welcome to live theatre, if it were the same every night it would be TV." ~Me Love CB? Upgrade to premium today! |
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--Sean
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Sean R. McCarthy |
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Labor COSTS or Labor CHARGES? Hopefully there's at least a 100% difference.
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hmmm... I suppose it would depend if you're posting the actual labor rates (such as IATSE pay scale), or rates+premium. --Sean
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Sean R. McCarthy |
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My point was that what a facility charges an outside client for labor should not be the actual cost of the labor, but must also include overhead and profit (even for non-profit Performing Arts Centers).
Which is why a client will end up paying $100 per hour (or more!) for the Local 1 guy being paid ~$30 to focus lights at the Javitz Center in NYC. edit: Sorry, bad example. It looks like IBEW Local 3 does ALL electrical work in the Javitz Center. Change the above to McCormick Place, Chicago, and IATSE Local 2.
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Last edited by derekleffew; September 13th, 2008 at 02:18 PM.. |
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And the teamsters bring you the lights from the trucks. Alot of people that have to play nice together for a smooth event.
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Re-weight a batton after hanging a single instrument? What are you hanging?? A bank of Pani projectors?? I might change that to hang / RE hang and instrument. Just to discourage the "Oh, did I tell you to hang it there? I actually need it THERE" factor after load-in. And charging for programming a single cue seems a bit petty -- I figure that they are already paying for an M.E. are they not? Or is this all before load-in? You might also want to include the costs of laying the dance floor. How about a package that estimate what a typical dance show requires as a tear sheet for new rentals?
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Cheers! Sean Stone "If all the world's a stage, I want better lighting." |
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