Inspired by http://www.controlbooth.com/forums/l...ide-cable.html I would like to know the opinions of people on CB about this cable adapter...
They are most often seen in green and white but I have seen them in blue, red, and black.
| Cam Turn Arounds is being discussed in the ControlBooth Lighting and Electrics forum; Inspired by http://www.controlbooth.com/forums/l...ide-cable.html I would like to know the opinions of people on CB about this cable adapter ... They ... |

Inspired by http://www.controlbooth.com/forums/l...ide-cable.html I would like to know the opinions of people on CB about this cable adapter...
They are most often seen in green and white but I have seen them in blue, red, and black.
Kyle Van Sandt
Production Coordinator
The Egg
Van Sandt Designs
"Pull rope, push box, push button, get a banana."

Never leave the shop without one pair (green, white) per service needed each way.
Until all company switches and gear follow the same standard they are a necessity. If the house is G+N reversed but your racks are not you need to do something.

Just in case anyone (okay me) doubts Footer:
CLS 400 Amp Cam-Lok Union Electrical Connectors.
I haven't been able to find them in orange, yellow, or brown however.
Does this Cam-Lok make my cable look fat?

or more than one set... The building i worked in during the olympics had 3 different panels from the same supplier and 2 of the 3 were G/N Reversed. Not to mention that my dimmer rack was different then the video guys distro.
A definite neccessity to any show in any venue...

6 P's to live by: Piss Poor Planning Prevents Positive Performance
4 P's for LD's Producers Prefer Pretty Photographs.
Nothing like being focused and desperate to make me remember how something works. ~Steve B
It's not bullying--it's educating via the time-honored traditions of intimidation and humiliation. ~Derek

I'm not sure what this has to do with the suicide cable thread, or what the purpose of posting it is. I know you (Kyle) know what they are for and that they are essential, so are you trying to make a point here?
Hey, what do you guys think about female/female XLR adapters? What are your thoughts on 1/4" instrument cables?![]()

I have two sets of white and green for my main stage. We have reverse G/N so I stock them to have if someone's needs them to tie into our disconnects. I do a fair bit of freelance audio work as well. Every company I work for carries a full set of each gender in the work trunk on every gig. They are a necessity.
~Dave

Kyle Van Sandt
Production Coordinator
The Egg
Van Sandt Designs
"Pull rope, push box, push button, get a banana."

[FONT=Garamond]"640K ought to be enough for anybody." Bill Gates, 1983.
[/FONT][FONT=Garamond][SIZE=1]The views expressed herein are mine and mine solely, and do not, necessarily, represent the views and opinions of any other party.[/SIZE][/FONT]

Saying "it's the house's problem" won't actually get anything accomplished. They'll say, "you want power from us, it's YOUR problem." And then you'll be scrambling for turn arounds, taking apart your taped cable, or the show will be an acoustic set. Leaving your adapters at the shop would be like leaving your dimmer rack behind.

The difference is that there's no set standard in Camlok neutral/ground connectors. If I someone pointed me to a Cam panel for power and it had male hots I would be worried. But if there were male neutral/ground Cams then I would just pull out my turnarounds.
Some people like to have the safety of not ever being able to swap the hot and neutral, especially if different people will be making the connection (don't start with the "only qualified people" crap, it happens). I tend to be in that camp, so if you don't agree then one of us better have turnarounds if we're interfacing our gear.

Last edited by venuetech; April 5th, 2010 at 03:31 PM. Reason: spilling
Tom K.

An issue that is, sadly, not addressed in ESTA's BSR E1.18-1: Standard For The Selection, Installation, And Use Of Single-Conductor Portable Power Feeder Cable Systems For Use At 600 Volts Nominal Or Less For The Distribution Of Electrical Energy In The Entertainment And Live-Event Industries.
Perhaps there's still time? Mr. Terry?

Its not even standard within a manufacture. Several years ago we bought 2 ETC 24 packs that were all male in, the next year we bought two 12 pack that were swapped.
Kyle Van Sandt
Production Coordinator
The Egg
Van Sandt Designs
"Pull rope, push box, push button, get a banana."
Don't leave home without them. (at least the white and green) Half the venues are male, half are female (on N & G) so maybe in 10 years I won't need them, but for now.....
John Dziel
DAE Concert Lighting
founded 1971
Intelligent Lighting Solutions
"Oh, that switch also fed the Hotel ?"

As stated earlier I am VERY against the 'suicide cable' but I am all for cam turnarounds. I keep a set myself.
Sometimes one is backwards, as stated above, or yada-yada-yada. And in reality most of the time around here there is a disconnect switch without cam receptacles so an electrician is needed to tie-in anyways. The cable is run, connected to the other end... Everything is checked, THEN the fuses are installed, switch closed and thrown closed.
The contacts for cams are reasonably recessed for both male AND female, and it is not a single connector anyways. Separate cable or 'wire' for each.
Cams should only energized after all connections are made. Most people are scared of them so they don't touch them, they are kept secure AND the people working with them know better than to touch them energized.
Personally I lock-out the switch until everything is checked and ready for power. So it's safe. Plus the inspector is generally okay with it, which makes me happy.

Those were the points that I was going to make.
As for whoever said that you could just switch the ends around, all the feeder that I have seen has been, for lack of a better word, tangled. Not a rats nest, but enough that it would be very inconvenient (combined with the weight of it) to untangle it.
I really don't see how either side of a cam is safer. I could get my thumb inside the female end, or I could touch the male end.
Nick Whitworth
Sophmore - USC Upstate, Communications Major w/ Emphasis in Theatre

If you have banded feeder cables unbanding them wont solve the problem of the venue being N + G reversed. It just moves the issue to the other end.
FWIW I know what my package has and can prep it accordingly. I don't know what every builder has so any adapters go between the company switch and my feeder. That way I never have to flip anything in my hods.


Unlikely, as no public comments have been received on this issue to date. There will be other public reviews before E1.18-1 becomes a standard, though.
When I worked for a major rental company in the US, I had trouble with this particular standardization issue across branches, let alone companies. I don't think it is likely that one sex of neutral or ground will be standardized, as there is large cost to change, and little safety or interoperability benefit. That's why there are E1016 turnarounds!
ST

I will add to the necessity crowd. I made sure our's were reversed when we installed permament cams. We both a full set of turn arounds as well as a full set of T's. The other thing we have is a set of caps and plugs to close off any unused cables. Even when not in use we keep the house stuff capped.
Michael S. Taylor

The gender of the neutral and ground Cam's has 2 camps:
1) Keep all the Cam's the same gender as that's the way it is with every other connector.
2) Reverse neutral and ground so some numbnut doesn't plug a cable coded as one of the Hot legs (Black, Red, Blue) cable Cam's into a neutral or ground feed off the company switch. Especially with the fly-by-night companies whose cam-loks have blue electrical tape "mostly" covering the green cam-lok connector, making you wonder what the hell it's supposed to be - hot or ground. This is an issue with connections that can bye-pass the intent of the NEC requirement that Ground make first/break last connection.
I'm all for reversed neutral and ground and keep a set of turn-arounds for my space.
Steve B.
"Read it again, before pressing Send"


the audio company that I usually have in my space has reversed ground and neutral. I used to just leave the turnarounds on the cam tails. I recently experienced issues with my cam sets into the panel, so i made up some bare ends at the panel and cam ends at the other and did it so they stay with the 200A service for that audio co so i don't need turnarounds.
I have a double neutral setup from ETC- have yet to see any gear come through with double neutral.
I also have a bunch of "T" connectors in my box of tricks. Never used them, but if I did, then I might need my plethora of turnarounds to make a connection work. Highly unlikely I would need them as I have (2) 400A ETC Company Switches, (1) 200A ETC Company Switch and (1) 200A service on the side.

You know you don't have this problem so much if you are using bare wire tie-ins.![]()


Victor Zeiser
LD at Large
"When darkness is there, power to the fixture is not prevailing"

Pass through Cams are a very standard feature on distros. I'm not really following what you're concerned about. Are you saying that it's dangerous if someone pulls the power from the second rack (the one getting its source from the pass through)? I'm not sure what's dangerous about that, as long as the pass through Cams have the spring-loaded covers on them. Although, I'm not sure why anyone would go pulling feeder while the show is still going (amp rack with pass through still live).

I'm also of the camp that reverses the neutral and ground. Obviously in the past there must have been an instance in not properly idiot-proofing the system that someone has had a problem of misconnection, otherwise why would someone do so?
The turn-arounds are only for use in connection where others don't comply to such a safety thing in my opinion. - This even if only properly trained and qualified service personel are to be doing such connections.
Now the loomed -wire cable (have not seen six wire in a few years) and it's derating... assuming we are loomed but never go above 80% rating of the cable... that is something I think about in compliance. Also starting to switch to the Bates/Marico hard plastic female connectors over the preferred ECT Leviton line. Tired of the females wearing out where it hits the brass. TBA how well the hard plastic holds up but given labor and materials needed to swap out the rubber based receptacles, worth a try.
Than there was the time the old timer of our shop had the idea for me to start using steel 16ga tie wire for the strain relief inside plugs... Rust and corrosion on all that series of plugs later.
Tip on idiotproofing CanLoc's, McMaster sells a ratchet torque wrench adaptor that you can pre-set and lock to a specific torque seting. A bit tricky and needs a real torque wrench to set that setting but really useful in insuring the proper torque. Side point about this, Marinco sells a male pin resrufacing tool. Bought it but yet to need it other than a bad lot number from Leviton at one point where they just didn't match well.

Our ground and neutral are reversed.
We had this group come in a little over a year ago, I don't remember the show, but they were just starting out on the road. I go to connect the cams, and notice their banded cables weren't reversed. We don't have turnarounds, and neither did they. Their lighting guy started to panic, and called back to his shop to see what he could do. After some confusion on the phone, I hear, "No... You don't understand, the problem is that I have two hot females, and I can't do anything with them."
- Will Brown
Flickr - wbrownLD
Portfolio - http://wbrown.squarespace.com



Some history:
1. Cam-Lok E1016 connectors were first used in an entertainment application on Colortran 6 x 6kW portable dimmer packs, circa 1977. In order to attempt UL Listing, they needed non-intermateablility of hot, neutral and ground. This was at least 7 years prior to NEC recognition of single conductor feeders and single-pole separable connectors, with their associated connection-order rules. Without these NEC rules, UL made up some of their own: no intermateability of hot, neutral, ground. (Note that even today, the NEC makes no statement about non-intermateability of these specialized connectors).
2. Colortran used Empire Products E1016 males on the hots, an E1016 female on the neutral, and a female Palmgren Screw-Lok on the ground. The Palmgren Screw-Lok was a hideously expensive, long lead-time connector that used the same female neoprene housing as an E1016, but was not mateable with E1016. Another great feature: its cable boots only came in a vulcanized version, not the "Lektra-Link" style that is now standard on E1016. That meant:
--A vulcanizing press
--Vulcanizing tape
--Gooey vulcanizing lube
--At least 10 minutes curing time per connector
--No field installation or removal, unless you had a vulcanizing press in your workbox
Palmgren Screw-Lok connnectors
www.integro-usa.com
3. Production Arts owned a bunch of those Colortran packs, and after extreme frustration with the Palmgren Screw-Lok's, we changed them out for female E1016's. Our logic: better to guarantee no intermate of hots with neutral and ground. That arrangement became our standard on touring gear, and I guess our logic caught on with some other rental companies-- but there were notable holdouts such as Vanco.
ST
Last edited by STEVETERRY; April 6th, 2010 at 03:49 PM.


Speaking from experience (I do about 70 hotel shows a year between two of the tours I oversee) I would guess that about 60% of the venues my shows travel to have Bare-End Tie-Ins. For reference we have contracts with Hyatt's & Westin's and only go to ballrooms & halls over 12,000sf. The other 40% are Cam's, and of them the majority (75%) DO reverse their Neutrals & Grounds on 200A & 400A services (which is what we book). We have banded & unbanded 4/0 (depending on the show) so Cam-turns are a neccessity. Add in the "forgetful" stagehand, "unknowing" stagehand, and "pissed off" stagehand, and they keep my road crew from committing suicide!
On another topic...I like to see just how badly hotel electricians tie in tails...Let me tell you I have seen some SCARY stuff....E-taped & zip-tied bus bar's seem to be a favorite of hotel electricians. I once even saw an electrician who couldn't get the 4/0 into his bar, so instead of cutting back some of the copper (which come on we all do in a bind) He instead LEFT THE HEX KEY IN THE TERMINAL SCREW, and I kid you not split the copper around the metal of the hex key and "twisted" off the end on top of it. I took a picture and printed it, then gave it to the crew-chief after us..."Good Luck!" lol.

jstroming, in the nineteen years I've been in Las Vegas, I can count on one hand the number of times I've used or seen used bare-end tails. That being said, every rock tour carries them. First thing out of the feeder box, and last thing back in the box at the end of the night. If turnarounds are needed, either the house electrician or the electrical contractor provides them. When paying a hotel $1000/day (or more) to provide a 400A service, it's not too much to ask, IMHO. I also carry my own, but rarely use them.
Thanks for the history lesson, Mr. Terry. FWIW, I don't recall ever turning around Tweco's.![]()
I'm reminded of 7-10 years ago when a large lighting production company that always reversed bought another large production company that never reversed. To this day, they are still sorting out that one.
I find it interesting that generator and portable power companies never reverse, and they deal with single-pole connectors more than any of us ever will. They carry turnarounds (often black only, with or without face tape) just for our industry.
Last edited by derekleffew; April 7th, 2010 at 10:02 PM.


We havent hit Vegas in a few years, maybe that's why. Also I think the frequency of (large) events in Vegas may make having cams more of a priority than venues that rarely have shows tie into 200A boxes. Now that I think about it, my hometown (NYC) has more venues than not with cams, but we still have our fair share. Especially older venues.

Thats definitely up there along with the hotel electrician I got once who didn't even take the orange etape off the exposed tail wires which were wrapped for transport--he just lugged everything in as it was--might as well not have bothered to strip the tails new before leaving the shop...and then there was the hotel that took a spare lug and made some bastardized in-line "thing" wrapped in half a roll of etape that connected/jumped one of my bare wire tails to a hanging regular #2 bare wire they 'couldn't get out of the panel' that had been there for a long while it looked like...
I'm of the ground/neutral reversal camp....I have them turned around in my venue company switches...and keep T's and turn-arounds in my venue as a convenience for folks who may come in and have 'forgotten' theirs.....but over the years I have worked for shows and shops all over that either reverse or not reverse. Back when I was introduced to these on my first show too too long ago, I got a lecture from my head electrician mentor at the time on why folks do or do not reverse (they were NOT reverse folks).. It went something like this:
"The G/N Reverse <cuss word> believe that it is the "safer" way to go for those times when you have folks who are new or who you have never worked with--you know that they can simply match colors and even if they can't--things will still be safe with hots to hots and G/N to a G/N cause only one way to hook em up....to them its simply a safer way to go and they think any colorblind monkey is qualified to handle power and feeder and can make the connections and not kill anyone which is just BS in my book..so those folks hand feeder cable to anyone and feel they are OK... Now WE don't reverse cause its even simpler a reason--us no-reverse folks believe that no one who does not know what they are doing and who is not familiar with power should have any business running or connecting high voltage lines or even TOUCHING our cables and god help them if they do and I catch them with our cables in their hands..so its simple--you know what you are doing when it comes to power or you don't and you don't do it.."..
While a bit on the rough side--Makes sense to some point...and yet I am on the side of reversals..cause I have seen a lot of folks who don't know still try and do it.. In our business safety is all the difference between professionals and ignorant yahoos out 'playing' at other peoples risk..IMO... Although later on in my career I have seen some stupid crap that makes me wonder if even reversal is safest.. I was in one hotel up north on a show where the hotel electrician connected the cams together (reversed set of tails) to the banded and was ready to throw the switch--and except for the green and white this guy did NOT follow color code to the hots. When I asked about this as I came to meter power prior to energizing the system--and found my blue with red, black with blue and red with black--I asked him why he didn't follow color code on the legs--his response was a blank stare and then simply "Que??...make ON now?". <smack>
-w
Last edited by wolf825; April 6th, 2010 at 07:36 PM.
--Wolf
LD, ME, FOH, MON, A1/A2/L1/L2, SM, TD, TM, PM, PD, MLRT, MLP SL, SR...blah blah blah to all these abbreviated letters~OK?... :)

In my space I have 4 200 amp disconnects that are all bare end. The college I attended was all bare end. The arena I worked at in college was also all bare end. The theatre that my summerstock company occupies is also all bare end.
I think it really just comes down to how often people tie in and how old of a venue you have. Nearly every new venue I have seen in the last few years has had one of the LEX company switches with all its LED gizmos and such. However, even this very expensive switch still has terminal connections!
Kyle Van Sandt
Production Coordinator
The Egg
Van Sandt Designs
"Pull rope, push box, push button, get a banana."

There's a certain township in NJ that uses this method. They "tie us in" by plugging us in to their bare wire with lug thing and taping the hell out of it. I always want to bury it, as they just kind of tuck it under the mobile (outdoor) stage.

Steve Terry and Dereks recollections about the assorted shop method(s) brought to mind that when I first started seeing G/N reversed it seemed to be an "East Coast" vs. "West Coast" thing, in that the NYC area "stage lighting" shops had G/N reversed, while the film folks (read - West Coast) and any shop outside of the NYC area used all Cam's same.
Now all I see is G/N reversed, especially on PD's coming stock out of Lex or Motion Labs and of course the big NYC area shops - PRG, 4 Wall and Scharff-Weisberg.
Steve B.
"Read it again, before pressing Send"


Perhaps there is some mis communication, what I thought the poster was suggesting that was if the rack has cam pass throughs and the g/n are reversed you just flip which row you plug the feeder into. So the bottom row on the rack is the 3 phases in on the rack and g/n out to the next, then on the top its it 3/phases out to the next rack and the g/n in to the first rack.
So the issue that may arise is say its a house 120K in the first rack and then the touring group daisy chains from that, if they g/n are plugged into the opposite row and they pull their feeder with out the main racks powered down they could inadvertently pull the pull the g/n that feeds the whole thing as opposed to just the line running to the next rack, if they just unplugged everything in the top row.
Victor Zeiser
LD at Large
"When darkness is there, power to the fixture is not prevailing"


I think we need to remember that single-pole connectors and single-conductor feeder systems are only for use by Qualified Personnel, per the NEC. Cam connectors can be thought of as "tool-less lugs", but the responsibility for the design and correct installation of the feeder system rests with the qualified person installing it, just as if it were permanent wire in conduit. Arrangement of connector rows and/or neutral ground sex in a feed-through rack would not be something that would be a problem for a Qualified Person, since they would clearly identify and mark each feeder set at both ends as to its function.
ST