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I think you are going to need to redefine your view of a spotlight. Both of the options you mentioned will give you a re-positionable special. Neither will give you a spot light. Yes, you can do hot moves with them to follow someone, but its no spot light. I have done shows using them as spots, and its no fun. It becomes a pain to program, a pain to call, and you rarely get the actor to actually stay in their light.
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If you just need a small fixture for a spot you could put a Source Four into one of City Theatrical's spot mounts. You also might look at the Phoebus iMarc 200. It is a nice little relatively affordable unit.
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Alex Weisman Master Electrician - Pioneer Theatre Company IceWolf Photography Soup or art? "Crap happens, it is our job as technicians to fix the problem and see if it can be avoided. That does not mean yelling at actors or other crew people. We make mistakes, that is life. Welcome to live theatre, if it were the same every night it would be TV." ~Me Love CB? Upgrade to premium today! |
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Altman makes a couple small follow spots that are very common in small spaces.
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You must first know and understand the rules before you can break them. "Arc corroded lamps and bases are just like VD's, they spread through contact" Rx262310908049 Is it art yet? |
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We already have one of these and another is on the way:
Altman LUMINATOR MR-16 Quartz Follow Spot | Full Compass
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martinty, it's way out of your price league, but check out the Wybron AutoPilot for possibly the future. The performer wears a transmitter body pack, and receiving sensors around the stage triangulate where the performer is in 3d space and adjust the DMX values accordingly. I believe the system starts at about $5,000. They will never be as good as a human followspot operator, but they have been used successfully on some tours, and not so successfully on others.
For the size of your space, I'd recommend a "SourceFour-on-a-stick." See CityTheatrical for various useful accessories.
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I'm going to agree with what everyone else has said; an automated "followspot" will quickly prove to be far more trouble than it's worth. You'll never get the performer to follow the same path every time or at the same speed, it will take you forever to program something which still won't look like a manual followspot and you'll constantly find you lose the performer's head, arm or feet out of the spot. We used a Mac250 as a followspot for a very short sequence in The Producers, which only worked because the actor in question was coming down a staircase so we could guarantee he'd follow the same path every night; even then it took my operator a lot of cue tweaking and time to get it looking right - I'd never recommend it to anyone.
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Now, I never asked as I was only JUST starting to learn back then(like, I literally, knew NOTHING), but at my old school, I never actually saw a Followspot anywhere, but in the booth there WAS a joystick of some sort,
How common are "Automated" followspots in real life? Not as in pre-programed, but controlled with a joystick. At one point I was flipping through the Altman 09 Catalog, and only saw one "Intelligent Followspot" so I'm lead to believe they're not that common?
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I have a dream I have a dream to one day become a famous lighting designer And that some day I get to design for the likes of Daft Punk and others. |
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Quote:
__________________
Alex Weisman Master Electrician - Pioneer Theatre Company IceWolf Photography Soup or art? "Crap happens, it is our job as technicians to fix the problem and see if it can be avoided. That does not mean yelling at actors or other crew people. We make mistakes, that is life. Welcome to live theatre, if it were the same every night it would be TV." ~Me Love CB? Upgrade to premium today! |
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Yeah, I went on two tours with autopilot. I would never use it for anything "mission critical". Just too hit or miss.
Human operated follow spots are the only way to go at this time. Look into the Source 4 on a stick. Mike |
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