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every setup is different but yours is a common one. My suggestion would to just take the time to completly re work everything, Unlplug every fixture and the start lighting areas and patching accordinly. If your board has enough channles to opperate each light sepratley then that is an option also. The most important thing to look for and know is how many fixtures you can put on each circiut, if who ever set it up didnt have more than 3 per then that is what i would stick with. Go over that and you never know when you could pop a breaker mid show.
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First of all, there are no questions that qualify you as a newbie. We are an educational forum so we are happy to help. You may want to browse our Wiki as there are many posts in the Glossary that define different pieces of gear and different parts of pieces of gear.
Before I really answer your questions I have a couple for you that will help us make more informed answers. Can you tell us what kind of lighting console you have? If you can't tell by looking at it, post a photo. Also, can you tell us what kind of dimmers you have? Do you have a dimer per circuit system (each dimmer only controls one circuit (outlet) on stage) or do you have a hard patch panel (a place to connect the outlets on stage to dimmers)? On to your questions. Lets start at the beginning. A light (or multiple) plugs into a circuit. Each circuit (dim-able outlet on stage) connects to a dimmer. In a dimmer per circuit system you have one circuit hardwired to each dimmer. In a system with a hardpatch you can put multiple circuits into each dimmer. The dimmers provide power to the circuits. Dimmers are controlled by your lightboard. If we knew what board you have we could be more specific. However, for now I will assume that you have some kind of computerized lighting control. So, on your light board you can assign dimmers to channels. This is called the soft-patch. You can assign multiple dimmers to one channel or you can assign one dimmer to channel. You can then assign channels to submasters and groups. These are just ways to control groups of channels at the same time. Also, most groups and subs allow you to store the channels with level information so that when you bring the sub up and down it scales al the levels. So the simple answer to your question is that a channel can control one or more lights depending on how many lights are plugged into each circuit or dimmer and how many dimmers you patch into each channel. There also is no standard, as it depends on the needs of the show that you are working on.
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Alex Weisman Master Electrician - Pioneer Theatre Company IceWolf Photography Soup or art? "Crap happens, it is our job as technicians to fix the problem and see if it can be avoided. That does not mean yelling at actors or other crew people. We make mistakes, that is life. Welcome to live theatre, if it were the same every night it would be TV." ~Me Love CB? Upgrade to premium today! |
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Thanks for the responses.
I have a Leviton Innovator 24/48. As for what kind of dimmers I have, I'm not sure... the manual says something about DMX 512. Is that what you're tallking about? It also says 1536 dimmers on 3 DMX Universes. |
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Could be this... ![]() or this... ![]() or even this.. ![]() Look for whatever turns on fans when you turn on your lights. It could be hidden in a closet or something. It also could be small boxes mounted on your lighting pipes. If you could also let us know is what your lights are plugged into, either a raceway or small boxes. Raceways look something like this....
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Due to the nature of how the data is transmitted from the console, each DMX output can only transmit data for 512 devices (dimmers on older consoles). This block of 512 is known as a universe. In general, universe 1 is 1-512, two is 513-1024, and three is 1025-1536. However on some consoles you can tell each DMX output to be a specific range if you wanted, so you could make one of the outputs 11-522. As for what I looking for, there should be some kind of label on the outside of your dimmers that says who made them. If not, you might take a picture and post it, and we would probably be able to identify them. However, if we have answered your question then doing so might be superfluous.
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Alex Weisman Master Electrician - Pioneer Theatre Company IceWolf Photography Soup or art? "Crap happens, it is our job as technicians to fix the problem and see if it can be avoided. That does not mean yelling at actors or other crew people. We make mistakes, that is life. Welcome to live theatre, if it were the same every night it would be TV." ~Me Love CB? Upgrade to premium today! |
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That's the control side in a nutshell, with a whole lot bunch of details left out. One remaining question is what are you controlling? What is your dimming system? How many dimmers? Are there any other DMX controlled toys? What types of lighting instruments are you using? How many of each type? There are more questions, but I'm out of time for asking them. Time to head out the door and go to work.
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C.W. Keller Master Electrician Pageant of the Masters Laguna Beach, CA Always remember: Pillage first, then burn. |
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I resent that statement "or even this" that looks like a step up from what I have
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if its not broken, take it apart find out why it isnt broken and put it back together |
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That is exactly what I have. What I was trying to get at is the form factor of what the OP should be looking for. The dimming system could be anything from a small shoebox dimmers to large 96 racks.
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If your dimmers are in a rack, they might be in the same room as your light board. Follow that cord and see where it goes. It might just be a box on the wall, but who knows?
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