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Add to your list:
-Rosco and GAM gobo catalogs. -User manuals for any non-conventional equipment that might be in the plot, either in hard copy or already downloaded to your laptop. -Have copies of all paperwork including hook-up, lighting inventory, schedules, contact sheets, lineset schedule, set drawings if available, followspot cue sheet blanks. If you are carrying a laptop, find out what your printing options are, if any. If you are going into a union house, try to find out the rules. Get an early start on being as self-sufficient as possible so that you are there to back up the designer and not just become another responsibility for them. As some others have mentioned, good manners and a good attitude are a must. As the late, great Craig Miller used to say, "good assistants are like children, seen and not heard."
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David Neville Freelance Lighting Designer Lighting Designer/Production Manager Music Theatre of Wichita Asst. Professor Scenic and Lighting Design Wichita State University |
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Not as many as there used to be, but there are still some LDs who like paper plots over digital. It may be handy to have your scale rulers and other mechanical drafting supplies at the ready if you are not sure if this may or may not be the case. (In my books, always be prepared for anything).
Indeed make sure you have any manuals for anything on your laptop at least. If you run into a pinch be the person to know the answer. And to re-interate BRING LOTS OF PAPER AND PENS AND PENCILS!!!! BRING LOTS OF SHARPIES... A clipboard may be a good idea... And if you need, bring a wrist brace... you will be writing a LOT! |
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Oh, and if your going to be in charge of cue tracking or follow spot tracking, and have a laptop, I'd set up an excel document to walk in with so your not wasting time at the tech table making the document.
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www.ZacharySpitzer.com |
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Does anyone have a template for this?
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-- Joseph Naftal Freelance Lighting Designer Freelance Lighting Programmer Production Manager, Dance Connection www.josephnaftal.com joenaftal@me.com |
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For the most part, everyone has their own personal idea of what a cue sheet should look like - and for some designers it depends on the show. I use a very structured, grid-like sheet for my spot cues because that's how I think and it makes things very clear for my (usually inexperienced) spot ops. Other designers use cue sheets that are much more free-flowing and organic, which allows you to just type stuff as it comes up without worrying about format. Just make a document that works well for you, as you're the one who will have to be recording this info as fast and accurately as possible. If the designer wants his paperwork formatted a certain way he will tell you, if not just do what works.
EDIT: Planned to attach a copy of my spot cue sheet, but I guess I don't have any past ones on my new laptop. I'll try to upload mine next time I'm at home. Check out the spot cue sheets and cue track sheets available at http://lightingdb.nypl.org/. Most of them are pretty old, but it's interesting to see the vast differences between how designers format their paperwork.
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Michael HS Lighting Designer Last edited by rochem; August 15th, 2009 at 06:22 PM.. |
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Thanks for offering to show the cue sheets.
Could you direct me where to look for the cue sheets on the sight. I have found nothing. Thanks |
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Quote:
I've attached some spot cue sheets from a show I designed back in March. The Master includes all cues, and would be used if one person was calling cues to the spots (as in most touring shows). The individual track sheet would be given to the spot operator on longer runs and they would take all their own cues. My template is based heavily on Tharon Musser's spot cue sheets in Chorus Line, because I really like her format and it works great for me. Others will have their own preferences, and you may develop something you like better.
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Michael HS Lighting Designer |
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Be prepared to work away from from the tech table. I was an ALD for a designer who worked from the balcony for a couple rehearsals. It was rough trying to balance a laptop and a note pad at the same time with out a tech table.
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I have found that Filemaker Pro (or any database program) is one of the most efficient ways to generate and maintain spot paperwork. One of the biggest advantages is that once you have a template, all you have to do is input the data for each new show you do. Also, at least in FMP you can generate many different layouts for output, so while I might work on the master sheet, all the information that gets entered also goes into a cue sheet for each individual spot operator.
Here is an example from "The Light in the Piazza" which we did last season: Piazza Spot Master.pdf Piazza Spot 2.pdf
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Alex Weisman Master Electrician - Pioneer Theatre Company IceWolf Photography Soup or art? "Crap happens, it is our job as technicians to fix the problem and see if it can be avoided. That does not mean yelling at actors or other crew people. We make mistakes, that is life. Welcome to live theatre, if it were the same every night it would be TV." ~Me Love CB? Upgrade to premium today! |
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