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What were you washing, him, the dance floor, or the stage? It really depends on what he is asking you to do.
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I use our portable dimmers to avoid washing out stuff if I'm in a situation where there is no dimming
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Nick Jones www.emberlightproductions.com Human beings, who are almost unique in having the ability to learn from the experience of others, are also remarkable for their apparent disinclination to do so. Douglas Adams |
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shiben, you've (indirectly) reinforced the point many of us keep making when someone asks about using DJ-style lighting fixtures for theatre use. They simply cannot complete in intensity against stage lights. Short of gelling everything in L181 and/or running all dimmers at 50% or less, there's not much you can do.
Next time they ask you to "compliment their ADJ rig," say "That's a nice rig." Then walk away. Smiling.
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Hehe, I like that idea, Derek. It was actually not bad, because I spent 2 hours in the office, surfing controlbooth (no joke, thats all I looked at). Also, L181 probably would not help, unless it is even more saturated then R85, with a 3% transparency rating, which washed out their "movers" at 40%. I told them to buy some techobeams.
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FWIW, my swatchbook lists the transmission (tristimulus Y) of Lee Filters 181 Congo Blue as 0.78%. (But what a fantastic color, as long as you have the horsepower behind it.)
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What about indirectly lighting the floor? Shine some lights on the wall or ceiling and let the reflections carry the show?
Moving away from ellipsoidals might help too - dim PARs give a nice glow without the solid lighting effect. |
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Yeah, I did L181 once, with 32 1kW PARs behind it. It was beautiful.
Mike
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