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Hello again, everyone! So today I was at the school hanging two of our four working Studio Spot 250s to try to get more acquainted with them and think of how to use them in our show.
It seems I have a problem. One of the lights is considerably dimmer than the other. I'm not sure what's causing this, and I'm afraid to take the light apart to check things out. Also, it was very out of focus, and changing the level of the focus channel did nothing whatsoever. Any ideas what's going on here? Also, after about half an hour of using them, the same light suddenly started acting very strange. For example: I had the color wheel channel at 0, and it was still red, not white. And I had the two lights in a group, and had the gobos rotating on them both, but the messed up light's gobo was rotating at a completely different speed. I had to leave right as this problem occured, so I didn't have a chance to reset them. I assume this will fix itself when they're reset, but I'm worried they'll do this during a show... Any help? Thanks so much in advance! |
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Yeah, I'll reset, but I can't imagine that would fix the focus and dimness -- that seems like a mechanical problem to me...?
To answer your questions: It was fixture #2 in the chain. Yes, it was terminated. The addresses were different. I'm using an ETC Express 48/96. Yes, we've used it for years. Thanks! |
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How many hours are on the lamp in the "dim" fixture? How many on the other one? Are both aligned in the reflector properly? See the manual, probably under "optimization."
It's unlikely that a hard- or soft-reset will fix the focus issue, if you never had control of the focus function. Quite possible that a lens inside has slipped. Since three out of the four have issues, isn't it about time they visit your friendly local lighting shop, or the manufacturer, or a factory-authorized service center such as LightParts?
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The wheels not being in the correct position sounds like a motor going out.
The focus issue is either a motor or a lens slipped or not aligned. The dimness sounds like more lamp hours on one than on the other. This is based only on what you have told us and is where I would start with the unit. There are a myraid of problems that could cause any/all of your issues. Mike
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Mike Campbell Lead Designer/Tech Esoteric Visions www.esotericvisions.com |
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Oh dear. Alright, I'll talk to our TA and see what he thinks.
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The belts and motors in our Studios died a lot, I will agree that the light likely needs to be looked at by a repair technician.
What I will say relative to the end of your post is that you need to plan for a problem with all of your lights but especially intelligent ones. This is why your board op should know how to reset the lights from the console and if you are using the lights for critical focuses know which lights can be used to cover lights that have problems that can't be fixed during the show.
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Brett Smith Electrician Assistant Feld Entertainment Computer Guru Avid Shoe Wearer |
| The Following User Says Thank You to porkchop For This Useful Post: | ||
marshmolly123 (September 12th, 2009) | ||
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Just giving you guys the verdict -- we sent that moving light and another one that has been broken forever out to New Hampshire to the place where we got them. The one that I described above did indeed have problems with the shutter motor, as well as the focus one, too. Those were both replaced. As for the other moving light, the lighting designer before me thought there was a problem with the motherboard, so we didn't think it was fixable. It turned out that there were two loose wires in the Edison cap on the fixture, causing it to run and stop, run and stop, depending on the cable position. They also replaced the 75176 chip, because the previous LD had taken it out.
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The reasoning behind some LD's finding it necessary to diagnose equipment they obviously know nothing about and modifying equipment that is not theirs will always elude me!
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Leslie (Les) Deal Dallas Texas |
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| 250s, dim, focus, problems, spot, studio |
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