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So, I am going to try to start something new that the CB staff has been discussing. You all know that we have a "Question of the Day" forum, but we thought that we could stimulate some more discussions in the specific forums with a QOTD or in this case a QOTW "Question of the Week" (because everyone needs time to think about it and answer). So we will do our best to get at least one question up every week, and if you have suggestions for QOTW, please PM them to one of the Mods (icewolf08 or grog12) and we just might ask them!
So I am going to kick this off with a question that I don't actually have an answer to, but have been wondering about for a while: Our followspots are located in one of our FOH lighting positions (we call it Beam 1). The beam has a safety grating so that you can't fall out. When we run our followspots at a dim intensity you can see shadows of the grate on the stage. Why? Additional details: The spots are Robert Juliat Topaze 1200W arc discharge fixtures. The front end of the fixture is probably around 1' from the grate at the closest. The throw distance to the front edge of the stage is about 45'. Also, I have never noticed this effect with any of our conventional fixtures (including 10˚-26˚ Source fours and 6x16 360Qs).
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Alex Weisman Master Electrician - Pioneer Theatre Company IceWolf Photography Soup or art? "Crap happens, it is our job as technicians to fix the problem and see if it can be avoided. That does not mean yelling at actors or other crew people. We make mistakes, that is life. Welcome to live theatre, if it were the same every night it would be TV." ~Me Love CB? Upgrade to premium today! |
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My guess would be that when you "dim" the followspot, you are actually reducing the area of light from the constant intensity light source... resulting in less scattering, and thys better able to cast shadows from the close-in safety grid. (like a donut giving better definition to a gobo.)
I'm sure there's a more technical explanation, but it's late... -Fred |
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I'm not familiar with the fixture. When you run it at dim intensity, what is really happening inside of the fixture.
Is there a mechanical shutter that is closing in from all sides? Is there a round douser that you are moving in from the edge to the center of the beam? Something else? I assume that at 'bright' you do not see a shadow.
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John Chenault Co-Creator of mLight - a software only solution for controlling moving lights in Theatres. http://osfsolutions.com/ |
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Quote:
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Alex Weisman Master Electrician - Pioneer Theatre Company IceWolf Photography Soup or art? "Crap happens, it is our job as technicians to fix the problem and see if it can be avoided. That does not mean yelling at actors or other crew people. We make mistakes, that is life. Welcome to live theatre, if it were the same every night it would be TV." ~Me Love CB? Upgrade to premium today! |
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That is very similar to the dimmer found in the Altman Comet.
My guess is that the more you 'dim' the fixture, the more the stray light is actually being reflected off of the dimmer mechanism and being redirected somewhere else - perhaps through some ventilation slots in the bottom of the fixture. This doesn't happen with the conventionals because in their case, the light source is actually becoming dimmer whereas in the followspot, the light source is maintaining a constant intensity though it is being blocked and reflected by the shutters. It has to go somewhere and in the case of your followspots, the light goes through the bottom and down through the gridiron thus causing shadows on stage. Again, only a guess
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Leslie (Les) Deal Dallas Texas |
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Quote:
__________________
Alex Weisman Master Electrician - Pioneer Theatre Company IceWolf Photography Soup or art? "Crap happens, it is our job as technicians to fix the problem and see if it can be avoided. That does not mean yelling at actors or other crew people. We make mistakes, that is life. Welcome to live theatre, if it were the same every night it would be TV." ~Me Love CB? Upgrade to premium today! |
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I haven't seen a reply so I will take a shot.
My belief is that the dowser that dims the light is actually narrowing the beam as it closes down. This means that the light is coming from a smaller source and acting more like a point source. If the point source is small enough you would get the effect you describe. You could test this by putting some smoke in the air, or holding a sheet of frost in front of the unit - taking it down to 'shadow intensity' and seeing what happens to the beam size. If you test it let us know what you see. Units that dim without a dowser would not change the size of the beam so they would not cast a shadow.
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John Chenault Co-Creator of mLight - a software only solution for controlling moving lights in Theatres. http://osfsolutions.com/ |
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Here's a guess - The RJ followspot has a more parallel light beam due to its longer lens train, so its focal point is much longer than that of an S4 so the safety grate located in front of the spot becomes an out of focus template and becomes more definable on stage when the amount of light leaving the spot is reduced. - What do ya think?
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A possible experiment would be to use some neutral density in front of it to dim to the point you are talking about. You could then see if it has to do with the mechanism of dowsing or the optics or maybe something to do with how our eyes observe it? Intriguing...
Tim |
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