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Anybody got suggestions for what colors/gel #s is for the really deep yellow often seen on cans at rock concerts. I can't get a handle on it flipping through swatch books.
brian |
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For Rosco:
Storaro Yellow #2003 For Gam: Brass #382 Golden Sunset #395 For Lee: Deep Straw #015 Hope this helps a little. There are ther colors that are more orange/ yellow, but the ones listed above are mostly dark yellow.
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Last night I played a tape at full blast. The mime next door went nuts. |
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Thanks. I guess this will be a GAM purchase since I can't find the rosco ro lee equivelants in a swatch. My Lee swatchbook is not in any sort of numerical order - I never use it, never noticed.
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Not to hijack this thread, but:
For the show I'm doing, the script says that the stage becomes gold. I decided to just buy a sheet of gold gel and chuck it in a follow spot. I looked through all my swatch books looking for a good gold. Any ideas for what a good "gold" color would be. All of the colors I found were either to yellow or to orange, and not very goldish...
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I think gold is hard (we have the problem all the time b/c our school colors are blue and gold) because so much of what makes gold gold is the shine and sparkle. If you get right down to it, gold is really a dull yellow, but it shines which is how everyone thinks of it.
We usualy end up using a yellow instead of gold, it usualy looks more like people think it should then if we tryed to get a really accurate gold. (the same idea is in effect with sliver, it's really just gray, but shiny... (take a close look at a gold or sliver crayon, just lots of shiney specks in it to really make it different))
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lee has to different versions of their swatchbooks, i believe, a numbric and chromatic editons. just the order they are in is different
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Ross Zentner Lighting/General Stage Techician Live the theatre...artificial life and light can change. - Eric Strickler In the right light, at the right time, everything is extraordinary. - Aaron Rose |
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