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For my upcoming musical I am planing on getting 3 or 4 or 6 color scrollers. My question was the best way to program them. I know they take up 1 channel each (single scrollers) and it will index the color, so if I have 10 colors, the first will be at 10, second would be 20, and so on.
My question is, on an ETC Express 125, what would be the best way of doing this? Will the board be smart enough to look and see that in 3 cue's it needs to be a different color, or will I have to program a color change while the instrument is off? I assume the second. Should I attempt to make the board recognize the scroller as a Intel, or would it be easier to just to do it as "channel 56 at 10 for red". I am planing on taking the DMX signal out of my second DMX port (513-1024) so is there a way of not needing to add 1024 dimmers and soft patch them to no channel? Thanks guys!
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My advice on scrollers is this: Don't try to set them up as intelligent lights, it's gonna just be a hassle. Address them to DMX addresses that aren't used by any of your dimmers. You'll have to get them set to position in cues prior to the one where the instruments come on. I like to get my levels all set first and then use the track sheet to adjust the scrollers so they're not scrolling while lit. It can be a little tedious the first few times, but you'll get the hang of it. What it will mean is a bunch of extra cues that are set up with follow times.
Example: Cue 10 blacks out, cue 10.1 follows (and repositions the scrollers), then cue 11 is called to bring up the light (with its new color). On the other hand, if you're transitioning to the next color in your string and it's a slow fade time you can achieve some interesting looks sometimes too by scrolling while the lamp is lit. A final thought: I love to set up my scroller control on a submaster so I can easily run the levels up and down to find my desired position. Sometimes the midway (split) position is nice. Also, my experience of scrollers tells me that unless you get them calibrated just right, don't count on the indexing being right at 10,20,30 etc. More likely it'll be like 11, 21, 32, 42, 53, etc. Unless you've got really precise color strings (we made our own and there's a little discrepancy). What kind of scrollers are you getting? I really like the coloramII because it can take a 32 color gel string and is self calibrating. Geoff... |
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I like the Wybon CXI scollers. They have 2 gel strings that you can use for almost infinate color changes. I love them, but for a high school on a budget they do not work out well.
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i know on a strand you can set it to "auto move while dark" but i think thats if there are patched as intels. id assume etc would have something like that.
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Ross Zentner Lighting/General Stage Techician Live the theatre...artificial life and light can change. - Eric Strickler In the right light, at the right time, everything is extraordinary. - Aaron Rose |
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Quote:
IMO what agave said is best--don't treat them like an intel...its overcomplicating a simple situation. When using a scroller its pretty straightforward..and the programming and cue advice so far given you is good. Program and then track your scroller change into the previous cue while dark. But scrollers are fun and simple to use...the light fixture itself is patched as normal or into one channel--the dimmer to raise and lower the intensity...and another channel is the scroller control. Don't count on it being 10%, 20% 30% etc for strings either--I have had 10 color strings that still run each color at anywhere from 7 or 8%...so it will vary on the length of the string and the length of the color and calibration of the scroller. Running your scrollers out of the second universe is usually not a problem provided you have the second universe card in your console (if there is a DMX pluig there you have the card)--but then again neither is using the loop thru on most dimmer racks. Scrollers are not usually like intels..but occasionally there are some interference probs if you do loop thru the dimmer rack and that is where a second universe OR a DMX opti-iso splitter comes in to play. Another tip---aside from programming your scroller coltrol into a submaster, is to use the GROUP function on your ETC.. It allows you to group all your scrollers into one control command so you can scroll the entire lot at once by simply grabbing the "group". You can in fact group whatever you want into a group too--entire washes or positions etc. Its just like patching all your scrollers into one channel to operate them..but if you want to patch each scroller for individual control, then you can later use the GROUP record function to grab all those channels and run them together... GROUP is a helpful function for grouping all your down lights or all your lights of a single color or wash.. Its just a shortcut..some folks like the group fuinction and others hardly touch it..but IMO to be a good and FAST programmer you should know all the cool shortcuts and functions of your console..makes programming a lot faster. -w |
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Idea..put the colors in your cues then put the bulbs on sub faders so the cue puts it on the right color then you bring the brightness up. It would work if you can somehow make the scroller channel snap rather than fade with the cue fade time. Also you could have cue 1 scroller in place, then 1.1 is lights up, 2 is scroller in place for second cue, then 2.2 is lights up etc. Just some thoughts without reading the whole thread.
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Well if you happen to upgrade to Emphasis, its new version of 10.8 has MBB (Move Before Bright) built in, along with Dynamic Effects (pre-programmed sub-routines).
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Hum, OK, well, I'll ask the school if they'll shell out the 10 grand for Emphasis, but a gut feeling says they will say no
I guess I'll just program the scrollers and then using track make the scrollers move while there dark. That is the main idea, right? I don't want to use subs at all for this show if I can help it, so I want all the moves to be built into the cue's.
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