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We have 18 SL Coolbeams, and what I'm not entirly sure on is the lenses-
There are different slots for 20 degree, 36 degree, and so on... but are the lenses different? Or is it just the differnce in where the lense is placed and not the lense itself along with where it is placed? Did that make anysense?
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[B]Work Smart, Not Hard.[/B] -ljr |
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you need a different lense. its just like the S4's.
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Ross Zentner Lighting/General Stage Techician Live the theatre...artificial life and light can change. - Eric Strickler In the right light, at the right time, everything is extraordinary. - Aaron Rose |
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The lenses are different. If you take one out and look around the perimeter on one side or both there is a drop of paint. The color indicates the beam spread it correpsonds to.
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Ah redundancy! Yet, I can't help it: The lenses are in fact different. In other words, placing a 19 degree lens in a 26 degree slot unfortunately won't get you the same outcome.
As for a little more insight into the differences, depending on the lenses some are thicker, others are thinner. Some lenses only look like half a lens (looks like a half moon type a thing, width wise, not like as if I broke it in half). Not only are the lenses different but of course, as I’m sure you already know, are placed in different areas on the barrel of the light. Some assemblies depending on the light or brand actually utilize two lenses in the barrel (in the case of the S4 it's their 36 degree model, I don't know as much about Strand but I am pretty sure it is the same thing, physics is perhaps on my side here) The 10 and 5 degree lenses however are completely different; you can't miss those “suckers.” These two have huge add-ons since the lens sizes are so big. 10 degrees are far more common then the 5 degrees in my experience and despite their size are uncannily light.
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\"What the eye sees, the ear hears, the mind believes.\" -Harry Houdini |
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Ok then, so what happenes when you put a 50 degree lense in a 36 dregree slot?
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[B]Work Smart, Not Hard.[/B] -ljr |
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Though I've never actually tried moving the lenses, in theory, by moving the lens of the light into a different slot you loose a lot of efficiency. Each lens was mathematically calculated for its position, shape and size to get the perfect angle to maximize the use and increase efficiency. By moving the lens to a different location you change the angle and the focal length making the light either less intense (dimmer) or give it a smaller or larger beam, depending on what lens you place where. The light will also becomes out of focus, giving you very soft edges, possibly more soft then one would even prefer. Assuming it does throw the light out of focus (which it should) you'll definitely loose intensity on the light.
In other words, don't try it; you'll waste your time. Not only waste your time but possibly mess up the light if you can't get it back together right (though that is what assembly guides are for Hopefully that all made sense.
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\"What the eye sees, the ear hears, the mind believes.\" -Harry Houdini |
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well if you just move in the location of it in the barrel and you can move the barrel to focus the beam....
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Ross Zentner Lighting/General Stage Techician Live the theatre...artificial life and light can change. - Eric Strickler In the right light, at the right time, everything is extraordinary. - Aaron Rose |
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Quote:
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\"What the eye sees, the ear hears, the mind believes.\" -Harry Houdini |
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not rolling the barrel. i mean moving the barrel forwards or back. here let me draw it(gotta love paint).
![]() because if you move the lense more down in the barrel you can move the barrel back therefore changing the distance from the reflector to the lens. is anyone understadning what im saying?
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Ross Zentner Lighting/General Stage Techician Live the theatre...artificial life and light can change. - Eric Strickler In the right light, at the right time, everything is extraordinary. - Aaron Rose |
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Haha, I just realized something. When I say "rolling the barrel" I mean moving it forward or backward in other words, sharpening or softening the edges. It's become habit for me to use this phrase because so many designers I've worked with in the past have used that term to say soften the edges. So re-read my post because I am in fact talking about moving the barrel up and down to soften the edges. I did somewhat hint at that is what I meant, but unless read closely, it probably wouldn't have been associated correctly with what I meant to say.
But I'll re-word it a bit to specifically answer your question: You're taking a 50 degree lens, made to have a shorter focal length, and lengthening the focal length to an even greater distance... However, assuming you meant something like putting the 19 into a 50 and then moving the barrel, so that is is the same distance it would if it were in the 19 degree slot, then perhaps it would work (assuming you can actually move the barrel that far which I highly doubt, the distance between lenses is far more then the distance the barrel will move), but why on earth would you do that, it will produce the same outcome if you leave it in the same slot? For sh*ts and giggles?.... If you keep the focal length the same there won't be any change at all. You may as well keep the 19 degree lens in the 19 degree slot. I hope I understood what you meant this time: Either the focal length remains different in your moving of the barrel in which case, nope it doesn't work (see above reasoning), or the focal length is restored to it's intended length, in which case there is no point in changing it in the first place. Also, you'd have to be really good at getting the distance pretty spot on (hehe no pun intended...) or you won't be able to restore the focal length. Like I said the lens is mathematically figured out to be a certain distance from the source (focal length) for its shape and size (width) changing this distance at all alters the entire beam. PS. Sorry if that doesn’t make sense, I’m quite tired, Tech week is starting to wear me out a bit, too many things going on in one week this time. Ah well, what can you do?
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\"What the eye sees, the ear hears, the mind believes.\" -Harry Houdini |
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