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I played with them a bit at USITT, they seamed to do what they promissed. Personaly, I do very little projections that need that type of def. It wouldnt be bad to have 1 or 2 around but I dont think I would devote an entire inventory to them.
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Mike Berger Carnegie Mellon 2012 BFA Drama (Lighting) Design |
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I would strongly reccomend these if your theater does a lot of gobo projection, they have very clear projection and no halation, no more donuts!!
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Yes, they really make the gobo so crisp. They are really great for intricate, detailed patterns. Cost is about double a regular ETC lens.
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just something to think of pricewise.
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-Zachary SUNY Purchase Theatre design and Technology 2010 I am a Technician. not a Techie I do not call them Acties, so why should I be called a Techie? |
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Our school just redid the entire inventory with ETC fixtures including some of the EDLTs. They're pretty great. We do a lot of projections so they're nice to have around to say the least.
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University of Illinois - DDTM Student - Technical Direction/Scenic Technologies |
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True that the EDLT costs twice as much as a normal lense tube, but in the end it is worth the extra money if you plan to do a lot of gobo projections, otherwise about 2 weeks ago I was playing around with some regular source 4s and they seems to do just as well with gobos as the EDLTs apart from a few minor halations, I think if you need gobo projection a lot then by the EDLT if not just stick with regular Source 4s
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The newer ETC Source 4-750's (revision J lenstube) have pretty good gobo projection abilities with out the EDLT Feature, so unless it is a really important gobo, stick with a Standard barrel
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