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Hi, I'm in a band, and at the moment the only light I've used is a strobe light, triggered by different drums, triggered by a 6.5mm mono cable from an audio mixing desk.
One thing I'd like to know about is DMX and what that does, and I'm sure someone will be able to provide me with a good link to read about that. Unless it can be used (without being totally overboard and wasteful) to do simple things like fading and turning on and off, I'm not particularly interested, but I'd like to know the other ways to trigger strobe lights from audio - can you send audio to a DMX controller, which then sends commands to a strobe? My main question, however is about fading and controlling simple flood/wash (or whatever they are called) stage lights, like PAR 56 cans - just single coloured, bright, wide(ish) angle lights. I found the iColour 4, and that looked like fun, but not exactly what I'd want, since there are no options with placement, i.e. all the light is coming from one place. What I'd like is two or three PAR 56 cans in different positions/directions, that "randomly" fade on and off to different brightnesses. So firstly, can these lights be "controlled"? I'm guessing that's what dimmers do? If so, secondly, how are they controlled? Do they have an input which changes the brightness when different voltages are put across it? Or do 'dimmers' change the actual power that is going to the light? Thirdly, however this is all sorted out, are there controllers that automatically "randomly" fade the different lights on and off, or do it all to music, in a similar way to how the iColour 4 seems to randomly fade between lights? Thankyou for whatever help you can give. I look forward to learning about lighting. Ian |
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OK, I've since found out that dimmers in household lights use a method that restricts what part of the sin-wave of the current goes to the light.
Would this be what they use for stage lights too? Would I want basically a three pin (I'm in Asutralia, I don't know where these forums are, and I dunno where everyone is from...) socket, which has this sort of control from a dimmer? Assuming that'd right, would there then be a way to make a sound-input control the dimmer system? i.e. Could I link a microphone to a dimmer-system, so that when there is low volume, the light has almost no brightness, and when the microphone picks up a loud sound signal, the light it very bright? |
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first of all, you stole my name. ( i swear i was the only Ian, but then i met like 7000 more.)
secondly. dimmers in theater are what control power going to a light. most dimmers do this by cutting the sine wave in the manner you suggested. then teh rate of output is varided to control the brightness of the light, to think of it as a bunch of flashes really really close together. the closer they are the brighter the light is. A control board of some sorta (i could be anything, it doesn't even need to speak binary code, although it often does,) will "talk" to the dimmers via some sort of communication, wit dmx being the most prevelent. often these boards will have an option in which you can input sound data. most often (at least here in the U.S. highschool scene) this will be in MIDI format. anyway, hopefully this answered questions, but do stop asking them just my .02$
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Ian Heller Technical theater is just like sailing, except for the wind |
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Well thanks for the replies, since I now know it is possible to use the sinewave cutting method (is there a name for this?) I basically know what I want to do. It's partly to learn a little about electronics and putting parts together, but I do want to have this light:
I would like to have a microphone go into something that converts the audio's sinewave(ish) signal into volume. Much like the lights in media players that jump up and slowly fall, it would have to read the peaks in voltage, and output a relative voltage that falls at a certain rate, until the next peak in audio goes above that. I hope I explained that in a reasonable way for you to understand. Either before or after this stage, I guess it would have to go through a simple pre-amp. Then I would have to have a module that when a high voltage is inputted, would not cut the sinewave of the power, but would cut it more and more, the lower the voltage coming into the input. I would build these in two seperate stages, so that i could then always change the first stage to include a master fader/dimmer, or have a "random voltage generator" type thing... you know what I mean. Anyway, basically if you could let me know if this would work, if it's going to be more complicated than I've explained, etc. Thanks again |
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There are a couple of Aussies here... Always good to have another. Welcome.
If I recall correctly, the kind of thing you are after does exist. I'll think a bit more and post up some details if you would like. It's a pity Mayhem's busy at the moment, as I'm guessing he would know better than I. |
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Great, I'm sure someone's made one before. If it's already available as one item, I'd love to know what it is, or if the individual components can be bought and put together reasonably easily, i'd be happy with that too.
But yeah, have a think and let me know the details! :-D Thanks |
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If I recall correctly, is not Mayhem summer school lecturing in Europe or something?
Many manufacturers these days make both 240 volt and 120 volt versions of equipment. I have a feeling that I know what you are after. Let me think a bit more before I post up the details. |
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Ah, I sent Mayhem a PM, but if he's in Europe, that may not help. Think as much as you need :-)
And yeah, need 240V (230V in fact isn't it actually?) But yeah, not 120 in Aus. |
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| absolute, effects, lighting, newbie, simple, stage |
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