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how big s the lighting system? and do you have many moving heads,color scrollers,ect.? The Expression 3 is the one I would reccomend. It uses Emphasis, and has a good intelligent lighting lighting setup.
The Congo isn't too bad, but the intelligent lighting section is it's one saving grace. Many of the keys are still "reserved for future use" and the control syntax is backwards to the rest of the world. I do love the ease of patching in intelligent fixtures, there is a special browser window that make this a snap. It also has a really cool feature that makes dimmer-checks a breeze. I hear EOS is pretty good, but that may be overkill for your operation. The place I am working right now has a Congo, and it has about 400 seats (I think), but it also has a lot of intelligent lights- mostly color scrollers, Nexeras, and S4 Revs.
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[color=red]Fear is the mind-killer[/color] Those who can make you believe absurdities can make you commit atrocities. --Voltaire [color=yellow]When life gives you lemons,[/color][color=orange] make orange juice, and let the world wonder: "how on earth did you manage to do that?"[/color] |
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Texas ! Why, thats the home of Etertainment Technology now!
No, I won't suggest Horizon this time. If you are bringing in road shows and te like it's a little too difficult to program and not standard enough for most Road guys to work with.
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Van J. McQueen Technical Director Artists Repertory Theatre Some people are like Slinkies... Not really good for anything, But they still bring a smile to your face......... When you push them down a flight of stairs..... |
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I would seriously consider looking elsewear if you are in a small venue. The expression line is VERY VERY old and outdated technology. PC controls have come a long way, and are a valid form of control. Also, you might want to look at the strand line or the strand "mallets" as they are being deamed. If you could pick up a 300 series or 500 series that would also be a very nice console for a small venue. Don't go with the expression, there are just wayyyyy to many things that they do not do that other boards do do that sell for much cheaper. There are too many non expression consoles out there that have really nice conventional controls plus a nice moving light package. The expression was great for what it did at the time, but its over 10 years old technology.
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What's your budget? How many dimmers? Are you using all conventionals? How many DMX toys are you running off this?
My college is getting a new theater this summer so I'm well studied up on the subject and I've seen a lot of demos. Unfortuantley, you are about a year or two too soon as all of the lower end ETC boards are going to be replaced in the near future. Until then if you insist on going ETC your choices are limited: You could go with an old ETC board that has the Emphasis server band-aid attached to it. I'm not all that impressed with that system. From what I've seen a few years ago instead of going for a redesign they said let's attach emphasis to the system as a patch to get us through a few more years while we do an even bigger redesign. I haven't used it but I know an old school L.D. who hates it because it's not really a low end ETC board and yet it also isn't a high end board. Emphasis is a high tech band-aid to provide a few more functions. He complained that there are a lot of features some of them very basic that are a big hassle to deal with. Unless you are using a TON of intelligent lighting, EOS is probably not for you... it's also like $35k-$40k. EOS is one of those Connan O'brien "what if they made it" scenarios. It's what would happen if an Obsession had a baby with a Whole Hog/GrandMA. It's a great board for the Broadway/Vegas market but it's probably over kill for your needs. They are planning the release of an "EOS Jr" soon that will be stripped down a little, smaller, and cheaper but it'll probably be too late for your needs. Congo/Congo Jr. are great boards. I've used them both in 3 different demo's now and been very impressed. I heard some criticism when it first came out about the use of the reverse programing language... but from what I've seen it takes 20 minutes to learn the new syntax. The Europeans have been using this syntax for years and it supposedly cuts your programing time down quite a bit. Congo's pretty cool and I would definitely get a demo. I really like the flexibility of Congo. It literally has a switch that turns off all the high-end intelligent features and makes it the worlds largest two scene preset board if you want. I like the fact that you don't need a mouse to do anything (unlike the Strand boards... more on them later). It was designed with the idea that your hands should be able to learn where the buttons are and you should be able to program looking at the stage and the monitors, not looking back and forth between the keyboard and the stage. I think it was successful. Congo starts at about $23k and Congo Jr. starts around $15k. There is basicly no difference in features between the two models, it's mostly just less buttons, a smaller case, and less channels/universes. I tell you for that $15k you are getting a TON of features that kick the butt of similar priced products out there. If your willing to look at Strand I think you'll be very pleasantly surprised. The new Palette/light palette consoles are great. The software is a new variation of the Horizon system. So it's REALLY intuitive and easy to work with. No matter which of the new boards you buy its all the same software. So it's just matter of choosing the interface and number of circuits/universes you need. I'm getting the Classic Palette for my theater. It's a great option for a space that is mostly conventionals. I think if you take a look at the software (you can download it and try it out from the strand website) you'll agree that it's way ahead of what the low end ETC software is like these days. The sad thing is for us ETC guys that this is a little peak into what ETC will probably do with their new consoles... but we have to choose now, not wait for the future. I'm satisfied with the Strand console I'm getting... not thrilled but satisfied. It uses the mouse and keyboard a lot which doesn't make me the most happy. I'm hoping through a big fund raising drive that we are having (including selling naming rights to the theater) that we get a big chunk of cash to spend on intelligent gear. If we do I'm going to go buy a Congo Jr. to go with my Strand board. If I were you I would take a hard look at Strand... but probably end up buying Congo. Get some Demos!!
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Community College Technical Director Last edited by gafftaper; April 19th, 2007 at 02:30 PM.. |
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My favorite Congo features.
-A set of buttons that can be programed to do anything and operate completely independent of what is going on with the rest of the board. Power up your intelligent gear, house lights, work lights, some sort of special... whatever you want at the touch of a button and it won't be part of whatever you are recording on stage. -The inteligent lighting section is great. It has a whole bunch of pre-programed moves built in. No need to spend a lot of time trying to get your lights to all chase in a circle, just set your focus points and use a built in program to do the rest. Boom Done.
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Community College Technical Director |
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Hey Gaff
Great post. Steve B. |
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Thanks Steve.
Like I said... I've spent the last year researching this very question. I've seen demo's and test driven Congo, Congo Jr. EOS, Light Pallet, and Palette. It's a tough time to be forced to make the decision with so much change going on right now. Obsession is the current professional "standard" but what will become the next standard? EOS? Congo? Something that isn't released yet? What about Light Palette... there's no reason that Strand can't beat out ETC and become king again... it's just too soon to know. The best advice would be to wait 3 or 4 years and see how it all settles out, but we can't all do that can we?
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Community College Technical Director |
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