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Have you considered buying out/partnering with, the guy who used to control the majority of your market? Using his client list, you use his equipment and give him a cut of the profit, then buy better gear with your share. Are you sure you have time for this venture, and still have time for your Conservatory Theatre training? (We'd hate to see you give up ControlBooth!) Summers, when you have the most time available, is generally the slowest time for school dances, and bars too. Are you planning on DJ services also for the raves? PA for the bar bands? What sort of ROI are your parents expecting? Don't forget Liability Insurance, and cost of Business License and LLC/Inc./SP. And make sure all your equipment has a UL/CE label on it. I've got lots of questions, but unfortunately no answers.
I liked Pie4Weebl Stage Lighting, or PSL for short. Is there a labor company with those initials?
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Oh - two other scanners in the cheapomatic range that I mentioned before:
The Mojo IIx has a seperate color and gobo wheel. So 4 channels. Blackout and strobe are built in to the closed/open positions on the wheel. The Mojo IIIx has some static and some rotating gobos one a single wheel (weird design if you ask me), but the rotating gobos are pretty nice for a unit this small. I'd also reccommend a pair of AMDJ Pearl LED Color units - one on each stand. These are a fairly wide coverage moonflower effect, with rotation and strobe capabilities. They also use a single 3W led instead of multiple 5mm or 10mm LEDs like the Vue or Revo series, so the output is better, and it's shot through a color dish which provides a wide variety of colors compared to the RGB or RGBW of the other LED moonflowers. Basically, consider it a multi-colored, rotating breakup gobo in a tiny fixture with miniscule power draw.
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Entertainment Technology/Thea. Design major All-around techie and designer Central and Southeastern PA Imperial 120V Pirate! Nothing is ever "state of the art"...something new comes out the next day. "Don't ever grow up. It's over-rated." Last edited by soundlight; December 27th, 2007 at 03:41 PM.. |
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I hope you're planning on insurance.
Liability is a must for that kind of market. https://www.musicproinsurance.com/index.aspx You must watch your rental rates. 10% of value is usually what is recommended. $200 or so is the absolute minimum you should be letting it out for. You might consider hooking up with a DJ who works on these kind of events.
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Philip LaDue Endicott Audio ADR Audio "The loudspeaker has more of an effect on the sound we hear than anything else in the audio reproduction chain"- Alan Frank |
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soundlight, I ended up going with this, about the same price as the mojo one with two wheels worth of stuff.
Derek, I thought about partnering with him, but I don't want to make that the major market I am in, for some of the larger parties I could see my stuff getting cross rented in. The raves tend to bring in names as far as DJ's go, so I don't plan on getting in on that side. As far as providing sound for bar bands, as I was telling my boss about my idea the stage manger for the current show hoped into the conversation and told me that he knew a guy who does a lot of bar band sound and gave me his number to call, so I will talk to him, possibily team up some. As far as time... its gonna be tight, I plan on turning some of my nontheatre friends and having them run shows for me. The parents are giving me this as a loan, the details are fuzzy, but I will probably be able to talk them into a 10% or less interest rate, and paying them back with in a year. Due to the size of this I plan on keeping it a sole proprietorship which keeps the cost of forming it down to the gas it will take me to go pick up a form. But that sort of thing I plan on talking to my advisor in the business department about. (He has a doctorate so I am sure he is well qualified to give me answers)
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-Victor Zeiser CB's Resident Music Snob |
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Quote:
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Entertainment Technology/Thea. Design major All-around techie and designer Central and Southeastern PA Imperial 120V Pirate! Nothing is ever "state of the art"...something new comes out the next day. "Don't ever grow up. It's over-rated." Last edited by soundlight; December 27th, 2007 at 10:19 PM.. |
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Phil, I looked over that website and I am not sure which insurance you suggest I get, I didn't see any general liability. Insurance as this stage is not a major concern of mine. There is no overhead rigging. My whole system uses less than one outlet worth of power. Again this is something I plan on talking to my advisor about.
As far as rates go, my work on my research paper had me talking to a bunch of people and the consensus was 2.5% is a standard rate, so I am actually charging quite a bit more than that.
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-Victor Zeiser CB's Resident Music Snob |
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You don't need general liability at this point, this is mainly for damage or theft while "on the job". State Farm and other run of the mill insurance companies do have some experience insuring what they call "DJ Gear". (If you or your family is already insured through them you won't pay full price)
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Philip LaDue Endicott Audio ADR Audio "The loudspeaker has more of an effect on the sound we hear than anything else in the audio reproduction chain"- Alan Frank |
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A very wise ex-partner of mine in a very big lighting rental business once said: "The lighting rental business is like sex. When it's good, it's great. And when it's bad, it's still good." Best of luck! ST |
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Serendipity (September 8th, 2008) | ||
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