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Yep!
Often done at concerts. Can't be good for them, so I figure there is some reason.
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John Dziel DAE Concert Lighting founded 1971 Intelligent Lighting Solutions "Oh, that switch also fed the Hotel ?" |
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Other than that, that's a very good question. Maybe they set all the light to X pattern, or something, then it is easier just to leave them dark then to change them to home, what with the short programming time? |
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I'd probably agree with that, just board op laziness I'd suspect--unless (and this might not be true, and you could also get around it) the design was to have those fixtures turn on later in the middle of the ballyhoo or what have you, and to make sure they synched up, have them run the motion with the dowser closed until they went on. That, or last-minute changes meant fewer fixtures being on, but without enough time to go ahead and make sure they went back to home and were still.
But that seems unlikely, especially for a professional board op. Its easier to just leave them.
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Jeremy G. Student Lighting Designer Tufts University |
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Move in black cues are a huge element in moving light programming. For instance, you want a light to be in a certain spot on the stage for a certain cue. Instead of having it track from the home position to your set position you program the light in dark in your set position so when that cue comes up the light is already in position all you have to do is open up the shutter, etc.
If there is an effect running in black, then there is a movement that the LD wants to happen when the lights are already in motion instead of tracking from home. Now grant it, it does have value in your design if your lights do track from home to their effect or static positions but this is not always wanted in say theatrical applications. Does this make answer your question?
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Chris Ubinger |
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Many people will put a fixture in a movement (can-can... all that fun stuff) and just leave it there and open the shutter when they want the effect to run. Its programming laziness most of the time, sometimes though it needs to be that way. Many people will put the effect on one pallet, run the effect, and punch the shutters when they want the effect.
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Just caught Footer's post. Yea, kind of what I was thinking..
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John Dziel DAE Concert Lighting founded 1971 Intelligent Lighting Solutions "Oh, that switch also fed the Hotel ?" |
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(Proof I hang around here too much)
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6 P's to live by: Piss Poor Planning Prevents Positive Performance 4 P's for LD's Producers Prefer Pretty Photographs. Nothing like being focused and desperate to make me remember how something works. ~Steve B |
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Sorry Grog12, I am a roadie not a English Major. I'll try harder next time... not really....
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Chris Ubinger |
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