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In 1976, I worked on the Metropolitan Opera production of "Aida" (or how ever it is spelled) at the "Wolf trap farm park" in Northern Virginia. The theater had a SkKirpan system that used CRT displays. There was a permanent focus remote backstage that you could bring up the channels using a light stylus and touching that channel on the CRT. When I mentioned that I had never seen one before, The Met crew acted like I was from Mars, and that there were many of them on Broadway. For the time it appeared to be just about the most advanced system I had ever seen. The theater burned down a few years later and when rebuilt, It used a totally different system. ( I don't remember what it was).
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Article here. They had been renting GMAs for the past year or two from the company that I work for now if the need a console with the power of the GMA.
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Entertainment Technology/Thea. Design major All-around techie and designer Central and Southeastern PA Imperial 120V Pirate! Nothing is ever "state of the art"...something new comes out the next day. "Don't ever grow up. It's over-rated." Last edited by soundlight; August 2nd, 2008 at 02:09 PM.. Reason: added article link |
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Okay, since it was brought up. Some guessing/speculation involved.
1971- opens with Ward-Leonard 10 scene preset console 1973?-Thorn/Kliegl Q-File 1975-Skirpan AutoCue installed 1982-building destroyed by fire 1985-Filene Center II opens with Strand Light Palette II/III? 1992?-ETC Obsession installed 2008-MA Lighting grandMA installed
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Last edited by derekleffew; August 2nd, 2008 at 02:34 PM.. |
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Excellent thread! I live about 15 minutes from Wolf Trap, so this is cool info. I went on their backstage tour a few years ago, which included the follow spot booth and a quick peek of the backstage part of the lighting system (not FOH, unfortunately).
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[B][SIZE="1"][COLOR="Red"]. [/COLOR][COLOR="DarkOrange"]. [/COLOR][COLOR="Yellow"]. [/COLOR][COLOR="Lime"]. [/COLOR][COLOR="Blue"]. [/COLOR][COLOR="Indigo"]. [/COLOR][/SIZE][/B] [SIZE="1"][B]Technical Director[/B][/size] [size="1"][url=http://www.ernstculturalcenter.com]Richard J. Ernst Community Cultural Center[/url] [url=http://www.nvcc.edu]Northern Virginia Community College[/url][/SIZE] |
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At the time that they had the Skirpan lighting board, they had two Malachie sound boards, One mixed the under roof sound and the other one mixed the back lawn sound. The main audioman was a personal friend and and got me on work calls a few times. My spelling of Malachie might be way off, as I only heard the name and never saw it spelled out. I personally had never heard of it, but at that time Theater was not my main job, just an occasional gig.
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The Skirpan Auto-Cue was copied by Electronics Diversified, who branded it as the LS-8.
It was this console that was used on Broadway on A Chorus Line. I believe this was the only show that used the LS8, as EDI was promptly sued by Skirpan, with EDI losing, thus the LS-8 was taken off the market. That pretty much opend a big door for Strand and the Multi-Q became a big hit. beoing followed in '79 by Light Palette. Steve B. |
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Last edited by derekleffew; August 4th, 2008 at 01:29 PM.. |
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Somewhere after 92, however, they must have tossed the Obsessions and got a trio of 550i's. The last time I was there was probably 2004 and they still had them. Must have just recently switched over to the MA. Does their rep now have movers? Last time I was there it was all conventional with some scrollers on the high sides and booms.
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