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I suppose this could go here or in Stage Management, but I'll leave it here for now.
This project has been bugging me for a while. For all of our shows, everyone (SM, Follow Spots, Light Board, and Sound Board) is in our glass-fronted control booth at the back of the house and at the height of the lower catwalks. Normally, this works fine. The one time that it doesn't, however, is during our Dance Concerts. We do pretty intense stuff, but we do have one problem. During the blackouts between numbers, the reflections off of the glass from the SM light and both board op lights (which we can't really turn off), and just the fact that it is pitch black outside the booth. To solve this problem, I have been looking into making some sort of infrared camera hooked up to the comp monitor in the booth. I did some research on the web, and it looks like most camera have an infrared filter that can be taken out. We are ordering new high-quality video cameras this year, so I will be free to take apart our old ones. I have already gone about making an IR light source: Using a 500w fernel, put 5 layers of ~R68 (dark blue) alternating with 5 layers of whatever the dark red is in Rossco gel. This absorbs all visible light, leaving only infrared light emitted. I'm figuring that I'll put one of these just US of the proscenium arch on each side of the stage, put the camera in the booth, and the camera should be able to effectively "see in the dark". Suggestions for improvement? |
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I can't really speak to the camera workings, but I question your infrared light source. Wouldn't it be easier to get some IR floods like the type used in security systems. Generally those are low power (LEDs) and actually designed for what you're trying to do.
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Trust me, if I could, I would just buy this entire system.
The problem with that is that this is entirely my own project. Zero budget from the school, and I don't want to spend any of my own money. I've already made the fernel light thingys, and tested them using my cell phone (cell cameras are semi-sensitive to IR light. Point a TV remote at one and try it). That being said, if anyone has some spare IR floods around that they feel like giving to a needy cause, PM me |
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Sorry to be nit-picky, but it's fresnel, not fernel.
I've heard of using gels to create an IR light source. The fresnel will probably burn through it in no time though unless you can use it at a low intensity. Too bad you don't have a Selecon Pacific at your disposal. You can buy relatively cheap (about $25) cameras on ebay. A lot of them are wireless and some have their own IR emitters. It's only 6 LED's so I doubt they have much of a range, but it's something you could look into. The wireless capability would be nice, but at the low price point I don't know how reliable it would be. These cameras are really small (about 1-2" square) so they definitely wouldn't get in the way. Of course all this ignoring the fact that you don't want to spend money on this and I don't blame you. Spending your own money on equipment for your school is a really bad practice.
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Leslie (Les) Deal Dallas Texas |
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I've been looking into buying some sort of infrared camera as well, as I call from backstage and it is sometimes very difficult to tell when everything is ready. I found this camera online after a bit of searching, which seems perfect because it works in color when the lights are up, and uses infrared in a blackout. And the price isn't bad either. Does anyone know if something like this would work at any sort of distance (maybe 30-40 feet or so?). I would want to hang it on a Balcony Rail/FOH Bar position and then just run cable to backstage. If the infrared LEDs would work at that distance, then this seems like a good solution for you.
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Michael HS Lighting Designer |
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Well, I've done some looking around, and it appears that for IR illumination, if my idea doesn't pan out, buying from ebay seems to be the best bet. Really, really cheap.
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Also, another option may be something such as this:
48 LED illuminator light CCTV IR Infrared Night Vision - eBay (item 180356642947 end time Jun-12-09 02:03:23 PDT) A plain IR illuminator. If I hang these from just upstage of the proscenium arch, they should work well. I won't get to play with our old cameras for about a month or so, so I guess I'll just hold off until then. |
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I have zero expertise in any of this, so somebody please correct me if I'm wrong, but if the camera is inside the booth while the booth lights are on, might the camera also pick up the reflections off of the window and block any infrared images picked up from the light from the fresnels? If so you might want to move the camera outside of the booth or somewhere else closer to the stage.
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