If you are all into sound or music and live near Fort Wayne, Indiana it looks like Sweetwater's Gearfest is the place to be this weekend. Check out this flyer.pdf for more info. I wish I could go.
| Sweetwater's "Gearfest" this weekend is being discussed in the ControlBooth News forum; If you are all into sound or music and live near Fort Wayne, Indiana it looks like Sweetwater's Gearfest is ... |
If you are all into sound or music and live near Fort Wayne, Indiana it looks like Sweetwater's Gearfest is the place to be this weekend. Check out this flyer.pdf for more info. I wish I could go.
Last edited by derekleffew; June 22nd, 2012 at 03:34 AM. Reason: PDF warning

Kyle Van Sandt
Production Coordinator
The Egg
Van Sandt Designs
"Pull rope, push box, push button, get a banana."


Now now let's not get gear snobby. There are a lot of people around here running sound systems at their school/church/club/community theater who would kill for a JBL "perfect PA".

Yeah, JBL is garbage. That's why ATK Audiotek uses a Vertec system for every major televised event and award show.
ATK Audiotek Utilizes HARMAN
Live Sound: Harman Audio Components Grace 54th Annual GRAMMY Awards - Pro Sound Web

While JBL may not be the best there are a ton of their boxes out there and they are incredibly rider friendly. So it wouldn't hurt to learn more about their boxes and how to get the most out of them since odds are you'll be using them somewhere in the future.



I do understand Footer's comment, and don't really disagree with the sentiment. However, you have to remember that Sweetwater is a MI store rather than a Pro Audio store.
DrPinto, if anyone gives you grief about owning the dreaded Behringer, just respond "Behringer crud, like Midas, TurboSound and KlarkTeknik.

While we all drool over "the good stuff" the truth is there's a lot more JBL and Mackie gear out there than there is Meyer and Midas. For the vast majority of us, JBL is as "professional" as our venue can afford.
Sorry Footer, I'm really not trying to make this personal. I just had to jump to the defense of all the little guys out there who are really proud of their $3000 sound systems. We all do the best with what we can afford.
Do you haul it all around in a hatch back Pinto by chance?![]()
Last edited by gafftaper; June 23rd, 2012 at 05:02 AM.


Who cares what the in house audio sounds like for a televised event?
//I don't mind vertec, and will take it over an under powered smaller "a list" system.
Victor Zeiser
LD at Large
"When darkness is there, power to the fixture is not prevailing"


Y'all say Sweetwater and I think of the brewery in Atlanta. Speaking of which, think I will have one now. It is a nice change having other folks run the board. I get to hang out in the office.
Jon Liles
Technical Director
Next Stage Theatre
Marietta, GA
"Any man who afflicts the human race with ideas must be prepared to see them misunderstood." - H. L. Mencken



Wow... started a storm here... didn't I.
This sentiment really comes from the acts I have to deal with. Most road guys don't like our rig because it is not a line array, but it carries the Meyer name so they deal. Just about every rider that comes across my desk specs either D&B, L-Acoustics, and Meyer. Most say no JBL, including Vertec. Some are OK with Vertec... if they have to. I have a feeling we would have a harder time getting guys to use a vertec line array vs the CQ boxes we already have. And yes, I that the rig fitting the room is more important than the rig itself.
So, that is where I am coming from on this. My job is to fill riders. If the gear does not fill the rider, it is useless to me because I will be renting anyway. If/when the CQ rig ever does come out of the air, a D&B V series will probably go in. This is also the reason we have not gone digital yet. We would rather have a Heritage that everyone can use and will take vs a Digico or a SC48 that only half the groups would want.
Not saying JBL is not decent gear. I used to use it all the time. However, in my current line of work nothing would be a worse investment. Its also one of the reasons we are very slow to buy any of the newer (and better) Sennheiser mics. Everyone knows and specs Shure, so that is what we have. It would be a waste of money to get the Sennheiser stuff (minus some 421's and e906).
Kyle Van Sandt
Production Coordinator
The Egg
Van Sandt Designs
"Pull rope, push box, push button, get a banana."