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Hey everyone,
I'm currently designing our set for "Guys and Dolls" and I'm working on the Havana scene. I have the design fairly simple - four large strips of fabric and a rising/setting sun a la Lion King. However I had the idea of making these four large strips of fabric movable; so they each are on some sort of independent motor so we can control their rise and descent onto the set and have a few configurations based on what's happening on stage. Here's how the sets look in various configurations: havana1.jpg havana2.jpg havana3.jpg I think that kind of illustrates what I'm going for - each piece moving independently. Any fancy motorized stuff I do has to be hung on a bar. We only have one bar available for this piece as well (the sun has a bar too but that will be independent). I wish I had some ideas as how to approach this but I haven't a clue as to the types of motors, what kind of controls, etc. This is all new to me! Any ideas? Thanks... Chris P.S. - Some probably unnecessary dimensions, but they're here if needed: Height from stage to bottom of the front border curtain: 4.47 metres / 14' 6" Width of stage: 16.76 metres / 55' Width of those curtain things: 1.2192 metres / 4' |
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Probably the easiest and least expensive solution is to make them hand operated olio style drop. So you would have the fabric attached to a drum that the fabric can roll up onto. You would then have control lines from each that you can pull one way to roll them up and one way to unroll them. You would then direct the control lines to either side of the stage and probably have 4 operators.
To do it with motors would require a lot of work. You would have to find variable speed reversible motors. You would probably need some kind of gear reducers to get the drops moving at a manageable speed, and you would need a way to control them. Though it is doable, it is probably more costly and time consuming than it is worth.
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Alex Weisman Master Electrician Pioneer Theatre Company "Crap happens, it is our job as technicians to fix the problem and see if it can be avoided. That does not mean yelling at actors or other crew people. People make mistakes, that is life. Welcome to live theatre, if it were the same every night it would be TV." ~Me PS: If you love CB and you know it, show it! Donate today! |
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Sketchup, if I'm not mistaken.
Hey, pass the sKETCHUP with those fries, Derek! (I gotta stop the puns!)
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Lighting Designer A man may die, nations may rise and fall, but an idea lives on. ~John F. Kennedy |
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Charcoaldabs is right... it's Sketchup. I used to use it for 3d storyboarding (filmmaking) and when I made the transition into theatre I found it was awesome for designing sets too.
Icewolf08: thanks for the Olio suggestion. I hadn't thought much about a pulley system. An olio system looks like it would fit the job though! Thanks very much! |
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Yeah ! And he does Sketchup!
Here's a link. http://www.grainger.com/Grainger/items/1LNG9 Now, these puppeis aren't cheap. but they would definately do the job. They are 17 RPM and reversible 12VDC. You could easily build a 12volt power supply and using SPST switches, controlled by a master DPDT switch, you could even have a decent control system. Using a 4" - 6" diameter PVC pipe would do for the "roller" you'd just need to fab a "yoke" to hold each end of the pipe in place, then connect the motor shaft to a through shaft to provide the rotation. I could sketch something if you think this is inside your budget restraints. .
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Van J. McQueen Technical Director Artists Repertory Theatre "Ask What you Want, Answer what you can." That's my motto. Mine! Get it? Don't steal my motto! It makes me cranky! |
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Quote:
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Lighting Designer A man may die, nations may rise and fall, but an idea lives on. ~John F. Kennedy |
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I think we could squeeze some money for them. Having them on a motor would just be so much more smooth. If you are able to do the drawings that would be awesome - otherwise, thanks very much just for passing along this info. It's greatly appreciated!
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I'll play with it this weekend. Need to see my family a little bit as I'm opening a show on Friday night and I think they've forgotten who I am....Look to my posting at sunrise on the 5 day........< that was a stupid LOTR tie-in>
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Van J. McQueen Technical Director Artists Repertory Theatre "Ask What you Want, Answer what you can." That's my motto. Mine! Get it? Don't steal my motto! It makes me cranky! |
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I'm looking at the Olio/Roll Drop now possibly for another part of the production (we're assembling a false proscenium and rising house curtain for Hot Box sequence). The Olio seems pretty self explanatory, however I'm hearing a few things about an "inverted olio" or "inverted roll drop" that essentially has the rolling drum at the top. An inverted structure would actually be better for this set too if the motors don't work out.
Has anyone heard of this? Does anyone know of any diagrams that would demonstrate that? Having the drum at the top would make the drop appear a bit cleaner and wouldn't have the ropes hanging along the side. Thanks! |
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| curtains, motorized, set |
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