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I am wondering if any one know a good and fairly cheap place to buy bulk XLR cable, also looking for durability. Also has anyone made their own connectors for XLR, I did a quick google search some methods you solder and others I guess crimp.
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First off, get it out of your head that you want cheap cable. I don't want cheap cable interconnecting everything in my system - if it fails, I'm left blowing in the breeze. Buy quality and you will NEVER have to worry about that. Plus, quality cable isn't too pricey, anyway. Just stay away from Monster...not that it's bad cable, just overpriced for the majority of the work we do (and the connectors are a bit too beefy sometimes, so they don't fit in tight spaces easily).
Anyways...here you go: Camel Traders Audiopile Parts Express For the hard-to-find stuff, check out Full Compass and/or B&H Photo/Video. I recommend soldering your connectors...I haven't personally crimped any of mine, but I have heard from other whose opinions I trust that it is not the most reliable method of termination for those connections. Your mileage may vary...
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A lack of preparation on your part does not constitute an emergency on my part. Wolf <>< Last edited by howlingwolf487; April 4th, 2009 at 01:22 AM.. |
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I am curious about the application as unless it is a special application, such as pulling through conduit, cables cut to length in a rack, or for training/education purposes, very few people find it more cost effective to make their own cables. If you do want to proceed, you could also check with some local audio and AV contractors and manufacturers, they often purchase cable and connectors in large quantities, and thus at a a discount, and you might get them to add a box or roll or cable and quantity of connectors to their order for you.
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Brad Weber audio, audiovisual and acoustical consultant www.museav.com |
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What's your idea of bulk? 1000', 5000' 25,000'?
I ship several hundred thousand feet of mic cable a year so let me know what your actual needs and application are. I'm sure I can be of assistance to you. Solder connections are superior IMHO.
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Thanks, Bill - ESC Entertainment Systems Corporation Innovative production assistance since 1973 Sales - Rentals - Design - Consulting 800-582-2421 - bill@entsyscorp.com |
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All the racks were on flats and when the Olympics were over, they took a Sawzall across the backs of the racks, used forklifts to load the racks onto trucks to be moved off site and deinstalled, then used the forklifts to 'bulldoze' all the cable into dumpsters. There was a lot of good "B" stock Panasonic broadcast gear available for some time after that as well. For the Nagano Winter Olympics IBC they rented a warehouse space here, mocked up the physical layout of the facility in Japan and literally built and tested it all here, then bundled everything up in manageable chunks and shipped it to Japan. I believe the Sydney games were handled similarly.
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Brad Weber audio, audiovisual and acoustical consultant www.museav.com |
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Oh I just finished whittling one this morning.
On the aspect of solder, get silver solder because it has the best conductance.
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Tom Brady Austin, TX |
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Bulk takes on a new meaning when you are sufficient a customer to get all available stock at the factory shipped half way across the world... Particularly when someone's paying air freight on more than a hundred kilos of multicore...
Be sure to use that new fangled RoHS solder, apparently it won't kill you like the old stuff. What a shame that it don't hold together so good... Brad, by all accounts, the Sydney games saw cabling being disconnected by means of axe. ![]() Crimp connectors done properly can be of equal performance to solder. Done poorly they can be a mess. Crimps generally are quicker though which can be good, especially when doing multipin connectors... Just avoid IDC connectors like the plague for anything that's not a one hit wonder. They slowly work loose and you have no means of reflowing solder or the like to fix it. They need to be turfed... Basically cheap and durable may occasionally go together. Add reliable to the mix and it ain't going to happen... |
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