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I've used a GL2200 and that thing is a tough board.
I don't know when it was installed, but it had been in an unsupervised community theater for a long, long time and everything still worked. |
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I know this is an old post, but I hate it when people say they're getting new toys and we never find out what they finally got.
It turns out that the main speakers are OK for a few more years. They're not great, but they'll do. The real problem was the console and the DSP. So we're getting a new console, a new DSP, an amp and some subs (along with some other misc. equipment; don't want to leave money on the table!) Here's the list: 1 GL2400-32 Allen & Heath GL2400 mixing console, 32 channel, 4 buss 1 AudiaSOLO8x88x8 Mic/Line Inputs & 8 Line Outputs 1 RMX4050HD QSC RMX 4050HD Power Amplifier 2 EL36 Cerwin-Vega EL-36 18" folded horn subwoofer, 1000 watts, 30 Hz-300 Hz 1 Super-X Pro High-Precision Stereo 2-Way/Mono 3-Way Crossover W/Sub Out (so I can use one of the subs with my portable system) Plus installation, cables, connectors, programming the DSP and some PI headsets and beltpacks. I have an install scheduled next week. I think I'm going to be pleased... |
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The Cerwin Vegas are, I believe a good solution to a specific request that I had. (WARNING: Long explanation ahead.)
We traditionally use no scenery in our one-act contest play. A grey unit set is available, but we choose to create an environment with actor's bodies, sparse set pieces, light and especially sound. We have been very successful. We did Sarah Ruhle's Eurydice two years ago and I would never have been able to create those unique places and textures without a sub. I've been borrowing a portable sub from the band to use. It's a huge box on wheels with 2 18" speakers and a cheapo crossover that I would mount in my portable rack. I wanted to add subs to the current theatre configuration, but I wanted to be able to continue to take a sub with me to contest so to solve this problem, my sound guy came up with these. I'm not sure where they will live in the theatre. Since they weigh about 170 lbs. each, I'll definately be building a road box for one. I'm not sure why he chose the DSP that he did. He may have an expansion plan in mind. The job he originally bid was a total system replacement and was scaled back from there. We don't have an assisted listening system. Not sure why we don't, but the district has plenty of lawyers so I'll let them worry about ADA compliance. Not that they would listen to me anyway! I'll get all the manuals and drawings. After the recent thread here, I'm interested to see what he says about passwords. I'm very excited. Thanks for being interested! |
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I like your sound guys idea, instead of working for what you need also consider future things... as far as the assisted hearing system, our Public school district just hires out a sign language person. ends up being cheaper and is more district friendly as far as usability in all 3 of the high schools.
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__________________
Brad Weber audio, audiovisual and acoustical consultant www.museav.com |
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well as with most high school setups only about 1/2 the building meets code, since its a lowest bid wins situation. we have no assisted listening system as far as what that article says and we don't have anywhere near the outlet sources required... but this is not the time nor thread to argue building and running codes about my schools theater.
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There may be an important distinction here that should be clarified. "Code" typically applies to issues that could affect the health, welfare and safety of the public. However, here are many other issues that relate to good design that are not "code" related. ADA is actually one of these, unless it is referenced in the local building codes it is not necessarily a "code" issue. ADA also works on non-compliance rather than compliance, a building typically does not have to be 'approved' as ADA compliant but instead must address any allegations of non-compliance, sort of innocent until proven guilty. But should someone file a formal complaint with the Department of Justice, then you may have to prove compliance, 'reasonable accommodation' or hardship or be subject to up to a $55,000 civil penalty ($110,000 for additional violations). The DoJ is usually quite fair, their goal is to get accommodations for the disabled rather than to issue penalties so they are more interested in getting compliance than in penalizing reasonable situations. The problem comes in that spending money on updating other aspects of a facility or system and not addressing ADA makes it potentially more difficult in the event of a complaint to argue that reasonable effort or accommodation was made in the past. Just thought it was worth a litte more complete discussion since it is easily misunderstood.
__________________
Brad Weber audio, audiovisual and acoustical consultant www.museav.com |
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thank you for verifying it i was about to bring it up with the department head, i still will but it will be more of a suggestion rather than a need...
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Just out of curiosity what kind of bad experiences have you had. I've loved all the ones I've used. (GL2800-40, GL2400-32, GL2200-32) But there are always the few bad ones from a production run.
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