|
|
||||||
| Notices |
| Sound A place to discuss sound reinforcement and design. |
![]() |
|
|
LinkBack | Thread Tools | Search this Thread | Display Modes |
|
|||
|
I have found that green floral wire works just fine for this. Cut a piece of wire long enough to go all around the ear, and shape it to the victim...er, actor's ear. I twist the extra wire together at the bottom and put a bit of black gaff on it to protect the neck. Then tape the mic wire to the top of the loop with a bit more gaff, and put it on the actor. Depending on how far down the cheek you want to run the mic, use medical tape to affix it to the actor's face. Then send the actor to makeup.
__________________
Mike Benonis Grad Electrical Engineering '14, Virginia Tech Electrical Engineering '09, The University of Virginia KI4RIX http://www.benonis.net/ |
|
|||
|
I also have tried the floral wire technique.
I have settled on using ear piece replacments for cell phone headsets that are sold at radio shack. They Sell some that wrap around the ear and others that insert in the ear (I reccomend the around the ear type unless you want to custom fit the in ear version for each actor(they come in three sizes). They are made out of silicone and plastic. Using these as a base I have attached piano wire(which is stiffer than floral wire) by stabbing the wire into the silcone part of the ear holder and then bending it to the desired shape to extend the capsule onto the cheek. At the end of the wire I bend a loop to help secure the casule. This method seems to require less tape on the face. and easier transitions between actors since they can just bend the ear piece to fit. I attach the capsule to the rig by using clear rubberbands to tie the wire onto the rig. If you are interested i can send you a picture. |
|
|||
|
i made some pics
![]() ![]() ![]() hope this helps |
| The Following User Says Thank You to ssss2art For This Useful Post: | ||
jkowtko (September 2nd, 2007) | ||
|
|||
I use home-built ear-rigs for all my singers. Mainly to custom-fit them to each singer's ear. I use heat shrink to seal it all together. The trick here is to find 3:1 heat shrink so that it will fit over the mic element and shrink up small enough to keep the wires all tight. I bought white heat shrink which we color to match each actor's skin tone. Cheap and easy!
__________________
Dillon Cody A1, Twyla Tharp's "Come Fly With Me" World Premiere, Pre-Broadway Tryout, 2009 A1, "Jesus Christ Superstar" National Tour 2009-2010 |
| The Following User Says Thank You to Dillon For This Useful Post: | ||
jkowtko (September 3rd, 2007) | ||
|
||||
|
You know -- one thing I tried last night that actually worked ... a simple elastic band stretched llightly around the ear, with the mic clove-hitched to the cord and sticking out about an inch past the top of the ear. If the actor has enough ear lobe it will hold ... our actor barely had a lobe, but his band held the entire night and he's thrilled.
Fyi, the rear of the cord is toupee-clipped to the center back of his hairline.
__________________
Sound Engineer/Designer Local school and community theater Redwood City, CA |
![]() |
| Tags |
| ear, hangers, lavaliers |
| Thread Tools | Search this Thread |
| Display Modes | |
|
|