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Hey guys!
I'm from a new indie theatre in Detroit called The Ringwald. We are currently working on the Craig Wright play, Recent Tragic Events...a show with a LOT of telephone ringing. We have a lot of other sound effects (mainly the low hum of a television) which currently takes up our channel we use for any music/sound effects (we're pretty limited on our equipment here as you can tell).... I would like to be able to control the numerous telephone rings via a remote control or some sort of sound board (like a physical type board) and have even considered getting one of those children's phones w/ the button that makes the phone ring. The current cordless we use in the show has a paging option that is only a -beep.beep.beep- and not so much like a phone ring as that was my first idea. Does anyone have any brilliant (and somewhat cost-efficient) ideas on the sound effect of a cordless phone? I would appreciate any feedback and thank you in advance for your time. Joe2 Who Wants Cake? Theatre Last edited by JoeTheWonderBoy; September 4th, 2007 at 02:05 AM.. Reason: update |
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Well, the easiest way to do this would be to actually get the phone to ring, right? There are two ways to do this, the quick and easy and the down and dirty. If you want to quick and easy, get a Tele-Q, they cost around a hundred bux and will ring just about any phone out there. Or... the cheap way... build you own.
http://www.tkk.fi/Misc/Electronics/c...ne_ringer.html http://www.techlib.com/electronics/telephone.html |
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I would second Footer. The Tele-Q is a great tool. I bought one when they first came out years ago, and it received a lot of use. The version I bought had a set of jumpers inside that would allow you to alter the frequency/style of ring. I don't know if there have been any improvements to the models over the years, my only complaint on the unit was that you had to open it up to change the jumpers.
If you need to make several different phones ring at different times, but you want them to all be diffrent rings, it would be possible to build a switch box so that you can use the output of the Tele-q to power several diferent phones, just a little soldering and some RJ11 connectors.
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Van J. McQueen Technical Director Artists Repertory Theatre Some people are like Slinkies... Not really good for anything, But they still bring a smile to your face......... When you push them down a flight of stairs..... |
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http://www.tele-q.com/
Another option... go to http://www.stagetechnology.com and enter "Ring Master" in the search box I haven't used either one, but I want to buy one for the new theater. The Ring Master is cheaper than the tele-q
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Community College Technical Director |
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I concur with the recommendation of the Tele-Q for phone ringing - it sounds way better than a phone over the PA!
BTW, what are you using for your sound effect playback?
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Mike Benonis Grad Electrical Engineering '14, Virginia Tech Electrical Engineering '09, The University of Virginia KI4RIX http://www.benonis.net/ Last edited by mbenonis; September 4th, 2007 at 08:20 AM.. Reason: spelling |
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If you want to do it over the PA, you can get some ring tones from sounddogs.com, or just from some cd's from your library.
If you're going to be using a lot of fx, and you don't already have a professional program to run them off of, then soundplant is a good free little program that turns every key on a computer into a button for a different sound. I have never heard of or seen this Tele-Q, but it looks spiffy. |
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If any of you knew me, you would note that there is low tech.... and then there is me.
We are doing the female version of odd couple, and needed a ringing phone. I looked into many of the options, including the tele-q, and decided that I would just make one of our existing prop phone ring. How hard could it be? I took apart a princess phone, and two of our rotary phones, and a couple of more modern phones, and quickly learned that the current to get them to ring is very specific, and it would be troublesome to convert/rig it, but when I looked inside one of our older rotary phones, and actual bells inside inspired me. Basically, the signal in the old phone is sent to a transformer, which wiggles a rod with a clapper between two bells. All I needed was a way to wiggle the clapper remotely. I went to the drugstore, bought a cheap electric toothbrush, took it apart, leaving only the motor and wire, which fit the clapper perfectly! I gutted the phone, leaving only the bells and metal support, and hot glued the toothbrush inside in position. Then I wired a circuit that allowed me to run the toothbrush (using telephone wire btw) to a battery and switch backstage. I additionally wired the rig so that picking up the receiver interrupted the circuit. A push of the button, and the phone rings! But it looks really funny inside. I have the pictures to prove it. |
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I also suggest the Tele-Q. U.Va. has two of them, and when one broke after years of use the guy who makes it repaired (replaced, actually) it for a very reasonable cost as I recall. It's also dirt simple to use and very rugged.
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Mike Benonis Grad Electrical Engineering '14, Virginia Tech Electrical Engineering '09, The University of Virginia KI4RIX http://www.benonis.net/ |
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Commonly I stick a small speaker near the phone (often directly under the phone) and run it from the sound board (often an aux).
Using recorded, downloaded or purchased sound effects of various phone rings. This method is very useful in certain circumstances as there are many different sounding telephone rings in the annals of history. Various European rings, and North American rings differ. Depends on the location and time period of the play in question. Often a quick and dirty way to have different rings that are accurate. Also useful to distinguish between locations in the same play by a slightly different ring. I use a piece of software that allows me to play sound effects on demand, and even multiple at a time. I wish I had the money for SFX and a output interface with more than two channels. At school we used SFX and a MOTU, allowing us to have each output directed to a different speaker output. |
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