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Hey gang,
Anybody have any positive results with a Vocal Eliminator to kill vocal tracks on a recording? I know a couple of companies sell this gear, and every year I have students asking to rip vocals off of a track. Any thoughts? Looking at the Alesis Vocal Zapper as an example, I guess, of the gear. Thanks, -Chris Chapman TD, Greenville Performing Arts Center |
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they all work based on the concept that the vocal will be centered between the l and r, so they take down the frequencies in the vocal range and phase reverse left or right.
they sort of work, depends on how the song was recorded Sharyn Last edited by SHARYNF; September 11th, 2007 at 03:11 AM.. |
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Ehh...
As usual, the more money you spend the better the results are.
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Philip LaDue Endicott Audio ADR Audio "The loudspeaker has more of an effect on the sound we hear than anything else in the audio reproduction chain"- Alan Frank |
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All the ones I've ever heard just muddy up the mid-range and make everything sound like it's being played back on a really old stretched cassette tape.
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Van J. McQueen Technical Director Artists Repertory Theatre Some people are like Slinkies... Not really good for anything, But they still bring a smile to your face......... When you push them down a flight of stairs..... |
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Quote:
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Sound Engineer/Designer Local school and community theater Redwood City, CA |
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I have one of the current Alesis units & years ago at another facility (in the days of records & cassette tapes), had a Thompson Vocal Eliminator. The results can be astoundingly good or purely awful & it all depends on the mix & the quality of the original. Your's usually in good shape with original CDs. Whatever the device finds that is common to both channels is what will get zapped. Typically, that includes lead vocals, bass guitar & some portion of drums. That leaves whatever was mixed left or right of center & usually includes cymbals, synths & keyboards, rythym guitars, backup singers, etc., in varying degrees & quality.
The biggest problem I've found is in lead vocals with lots of reverb, which by nature, will be slightly left & right of center. That will most often kill or severely reduce the desired result. If your end plan is to produce a karaoke track for someone to sing along, you can mostly cover the remaining traces of lead with the karaoke singer, especially if you apply some reverb to their vocal. The Alesis Vocal Zapper has presets which allow for quick setup, but no flexibility in "tuning" to get better results. The Thompson VE was much more flexible in being able to change various things to get better results. Unfortunatley, the current DSP-based model is quite expensive for varying quality results you might get. The Alesis is $99, so you've not blown a bunch of cash if it doesn't work every time. There's no way to predict how well it will work, you just have to give it a try with your material. BTW, you'll end up with mono end product as a result of the vocal reduction. The old Thompson unit had a stereo synthesizer tp generate "pseudo" stereo & I'd guess the current version does as well. |
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I forgot to mention that there are some pretty good examples of what to expect from this type of deivce on http://ltsound.com. I wouldn't expect to get results as good as their best examples from the Alesis, however.
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Yeah the Thompson sounds great, but you weren't kidding about the price. Currently being quoted north of $2000. Yikes.
-Chris |
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do you need to do it in real time, or can you take the song, bring it into sound forge for instance and process it
Sharyn |
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