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Hi all.
I'm wondering, I know that whirlwind makes different lines of cables. I'm budgeting about 35k for a personal portable sound system (32 channel board, 10 sys of wireless, 3 stereo amps (just for size comparison)). I was PLANNING for all my XLR to XLR to just use Whirlwinds Economy series cables, 5 bucks for a ten footer. Bad deal? Poor cable? Stop being a cheapo? I've used worse cables at my church, these things have #$%^& connectors, the kind where you can see the screws, they always come loose, yeah, those type. Are these cables bad for set up and tear down 3-5 times a week? No, I'm not going to pay over a dollar a foot, so don't even suggest that. Making cables isn't in the time picture, so also don't mention that. |
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You might look at some whips, which can be found pre-made, but might suit your needs. I'll bet whirlwind makes whips that are less expensive and less time-consuming than running individual cables. Whirlwind / Insert Snakes Also, if you're investing in multiple wireless, you might look into a system where all the receivers are in a rack, and you only use one antenna system for them. Don't know what they're called, but I know Shure makes something.
I'm sure Bill sells all of it, as well as other vendors.
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http://www.chicagolightingdesign.com "I don't feel it's healthy to keep your faults bottled up inside me." - Bucky Katt |
| The Following User Says Thank You to len For This Useful Post: | ||
BillESC (August 17th, 2008) | ||
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In the under a buck a foot catagory, Audio Technica's ecomony mic cables are better than Whirlwind's Chinese imports. We sell a lot of both, about 200,000 feet per year. While I'll use the AT cables in our rental rigs, I won't use the Whirlwinds.
Mic antenna distribution systems are what you're thinking of Len. They are usually a one rack space 4 to 1 unit.
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Thanks, Bill - ESC Entertainment Systems Corporation Innovative production assistance since 1973 Sales - Rentals - Design - Consulting 800-582-2421 - bill@entsyscorp.com |
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What kind of wireless did you spec out?
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Mike Benonis Grad Electrical Engineering '14, Virginia Tech Electrical Engineering '09, The University of Virginia KI4RIX http://www.benonis.net/ |
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The_Guest (August 18th, 2008) | ||
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The words cheap and quality can go together.
SLMN
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Philip LaDue Endicott Audio ADR Audio "The loudspeaker has more of an effect on the sound we hear than anything else in the audio reproduction chain"- Alan Frank |
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I avoid Whirlwind cable when I can. Every time you coil their cables wrong, or kink them, they remember. They never remember the countless times you coiled them right.
I prefer to build my own. Good cable and Neutrik or Switchcraft connectors (Switchcraft connectors, by the way, are the ones you greatly dislike with the setscrews; they're actually more expensive than the Neutriks and more rugged). I try to go with black Neutriks when I can. 8412 cable is nice. Prebuilt, my preference is to Rapco or Proco right now. Hmm, we are talking about cable that's to be used between a microphone and a stage box, right? It just occurred to me that you might be talking about the cables tying things together at FOH, in which case I use squids when I can, especially in a portable situation; in an install, 8451 or 9451 is good. |
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waynehoskins, did you perhaps forget to add the word "Belden" before those model numbers?
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Quote:
But of course, it's unimportant since the original poster needs to have premade cables, though we really don't know quite what for yet, and it's quite possible he really needs a short fan-to-fan snake. |
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What are you basing your pricing on? I have found a rule of budgeting to have 5% for cables MINIMUM.
Andre |
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