Does the size of the ball matter to the size of the room and how slow the dost will be moving? in other words if i had a 20x20 room should i use an 8 in. ball or a 12 in. and would the dots be moving faster with the larger ball?
| What size disco/mirror ball? is being discussed in the ControlBooth Special Effects forum; Does the size of the ball matter to the size of the room and how slow the dost will be ... |

Does the size of the ball matter to the size of the room and how slow the dost will be moving? in other words if i had a 20x20 room should i use an 8 in. ball or a 12 in. and would the dots be moving faster with the larger ball?

The 12" would be fine for a 20 x 20. An 8" would work also, but you get a lot of wasted light because typically the beam of the pinspot will be larger than 8" diameter when it meets the mirror ball. So you might have light spilling around the mirror ball also. The speed of the rotation depends entirely on the motor used, but in general, if you were doing a side-by-side test of two mirror balls (one 8" and one 12", both on identical motors), the 8" will appear to spin faster because each mirror tile has a shorter distance to travel to achieve a full revolution.
Since you seem to be concerned mostly about speed, what you really need to be looking at is motors and not mirror ball sizes. Take note of RPM's and keep in mind that there are DMX versions out there in which you can control the speed though a lighting console.
Last edited by Les; February 24th, 2010 at 06:12 PM.
Leslie (Les) Deal
Licensed Pyrotechnician; SEO
Illumination Fireworks, LLC.
The views and opinions stated in this post don't necessarily reflect those of Illumination Fireworks, LLC.

The smaller the mirrors the more reflections.
I like a lot of little mirrors.
Tom K.

Any rule of thumb for sizing mirror balls?
I don't think there are any rules for mirror ball sizing. Just think of how obtrusive or inobtrusive you want it to be and how you are going to hang it and mask it (if it needs to be masked).
Alex Weisman
Master Electrician - Pioneer Theatre Company
IceWolf Photography
Soup or art?
"...allow me to explain about the theatre business.
The natural condition is one of insurmountable obstacles on the road to imminent disaster!
...Strangely enough, it all turns out well."
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The bigger the better.
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Kyle Van Sandt
Production Coordinator
The Egg
Van Sandt Designs
"Pull rope, push box, push button, get a banana."

Ceiling height is the more determining factor than room square footage. ISTR, in the olden disco days there was a rough formula/ratio for ceiling height vs. ball diameter, but I don't remember what it was.
Provided the bottom of the ball is at least 8'-0" AFF. Don't want the ravers knockin' their noggins.
Last edited by derekleffew; May 8th, 2012 at 05:46 PM.

Also,
The bigger the room, the slower the rotator. Unless you like to have vertigo :D
Joshua Wood
VEE Production Services
Electric Shop Manager
Twitter @4321Wood

Great responses so far. I am relocating this thread so it is placed in a proper forum.
~Dave

Best mirror ball effect I've ever seen was when a circus hung a ball in the middle of the arena, and blasted it with four Super Troupers, each a different color... I was sitting in the upper bowl, and it was a gorgeous swirl....
'Best' ball all depends on what you're wanting it to do - we've got a 42" ball for people who want to see a great big mirror ball overhead, and I've also used small ones on purpose so that it could hide in the rigging and not be seen directly, letting the dots have more of a surprise factor. Same with speed - are you doing a slow starscape, or running your audience through a blender?
The things that can go wrong, will go wrong, in precisely the order you are least prepared for.
Best ball effect I've seen... Must have been 3'-4' ball. Then it was blasted with about a dozen movers all set to their highest color temperature white. All the movers had gobs in them that were sort of a round dot breakup. The gobos were all rotating at different speeds. The effect of the rotating gobo combined with the rotating ball was amazing. There were white dots wildly spinning around the room at a variety of speeds in an insane unpredictable manner. It was like being in the middle of a blizzard with wind blowing in three directions at once.


Important things:
Mirror tile size, the smaller the better.
1 RPM is best.
The more light sources the better the effect.
When Seals & Croft debuted their Diamond Girl album in 1973 to the east coast it was done at the Ocean Grove Auditorium next to Asbury Parkk on the shore. This venue seats over 6000. I had a contract to supply power distribution, communications and six super troupers with operators. The lighting co. touring with them had a 48" ball that they rigged over the center of the space. On cue on the D in Diamond, all six followspots hit the ball and the stage went form black out to blood red. I'll I remember is saying Wow.
Here's the auditorium... use your imagination.
BTW, Two Supers were located L and R at the top of the upper level as far forward as possible, slightly behind the mic line, two were mid building and the final two at the far corners. We hit the heck out of that ball. LOL
Last edited by BillESC; May 10th, 2012 at 10:05 PM.
Thanks,
Bill Cronheim - ESC, Inc.
Back stage since 1973
804-435-6858

Cheers,
Ric Arnold
Senior Theatre Technician
Wyndham Cultural Centre,
Werribee, Victoria, Australia
wyncc.com.au

Very cool Bill, I've been meaning to see that place for a while.
Philip LaDue
9 year member.

