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just thought id ask how people control their special effcets such as a disco balls or normal flouresent tubes, anything elctronically controled. our theatre doesnt have the capability to use our dimmers as relays so weve rigged up control wires in the audio snake (until we run a seperate line) to control a 12v PLC which then controls 120 v relays. Weve built a nice box for it and it is powered by a 240 volt plug so we can run about 4 120v circuits plus 12 v circuits without any concern about blowing fuses. Its a pretty advanced selfmade solution and its only because im very comfortable with electronics and the other guy involved with any type of effects is an elctrician.
We used to use a simple switch board (made of normal household light switches) controled by a stage hand via instruction over headset from the booth. After a bad preformance where it took almost a minute before the stage hand responded to his cue, we decided we needed control from the booth and rigged this up for the next nights show. I was just wondering how others manage
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Jacob Botden Lighting Tech, Technical Director, Master Electrician, Master Carpenter, Special Effects Creator... |
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Second Mayhem's advice but in general think what you have in mind is some good solutions or concepts.
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we now also have a switching box connected up to half of our dimmers that allows us to switch between 2 completly seperate wiring layouts. this again is controlled by 12v relays but we have not had a use for is and have not yet adapted it to be controled from the booth via the snake, or be controled by any matter so far. It is a self made box by our lighting installer who recently took it out of a dinner theatre which needed it to switch between two seperate show's lighting schemes which each had their own individual sets of lights.
as of now, we have used the plc to simply give us the 12v power, provide diagnostics lights, a key lock off, variable 12v power for our disco ball and and switch on the relays. These are bolt down type (non socket) relays as i dont personally like using veroboard anywhere near 120v mains. our theatre is running on a 0-10v control system so we dont have the luxury of a commercial dmx switching system i do agree with mayhem in that anything involved with 120 volts should be looked at by an electrician, but for us, considering my partner is about 2 months away from being a fully qualified electrician and his dad is an electrician and owner of a big commercial electricians company, we do not have that concern. The use of fuses on our original control baord was not much of an option becuase this was built before my time in the theatre, just like all other devices built by my predesesor, the board has been retired. a question for mayhem, were you implying on going back to our old system of having someone physically switch a switch, because we have wanted to get rid of this because of shoddy stage hands and the distance problem with running 120volt wires back into the booth. This was orginally just a question for others, to find out what they use for controling anything other than lights.
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Jacob Botden Lighting Tech, Technical Director, Master Electrician, Master Carpenter, Special Effects Creator... |
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Quote:
My comment about the household switches was just to say that it is a safe and usable alternative for anyone who didn’t wish to make a 12V relay system. I certainly wouldn’t suggest going back to a system that didn’t work for you when you have a good one in place that does the job and eliminates the need for additional steps (i.e., cue the stage hand). The rest of my post was answering the question of what I use for switching on items that either do not require dimming or are not suitable to run from a dimmer. The relays and sockets I spoke of were not the ones that are pcb mounted but rather the socket is bolted to the inside of the box and either has spade connectors or screw down terminals for wiring purposes and then the relay is inserted into that. But in my experience, there is no problem with running 120V on veroboard. I have been using a 24V reticulation timer to switch a 240V bore pump on for over five years and it never had a problem. In summer it turned on and off twice a day, two days a week (sold that house). However, switches and relays are mechanical devices and will wear out over time. This is why my next project will be a triac driven switch pack. Circuitry shouldn’t be too hard to figure out and will also be used on a mains load cable tester (only once it has passed a continuity and insulation test at low voltage).
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You are not the messiah wolf, you're just a very naughty boy. |
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the one problem which i have been informed of with the use of triacs, is that they are not compatible with flourescent tube ballasts, even when simply used as switches. do you know if this is true? our theatre uses many of these for things such as blacklights and even sometimes when in a bind, for normal stage lighting
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Jacob Botden Lighting Tech, Technical Director, Master Electrician, Master Carpenter, Special Effects Creator... |
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we have to make do with every day items
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so what are those everyday items you make do with?
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Jacob Botden Lighting Tech, Technical Director, Master Electrician, Master Carpenter, Special Effects Creator... |
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Quote:
However, a trial is essentially a solid state relay but without the mechanical components. Provide a trigger voltage, and it allows the mains voltage to flow through it. Remove the trigger voltage and it stops the mains voltage. To make it safe, you supply the trigger voltage via an optocoupler, which is activated by a low voltage source, such as you are currently using to trigger your relay. The optocoupler is actually a LED and a light phototransistor receiver (PTR) combined in one package. The LED is switched on by the low voltage control circuit and the PTR feeds the mains voltage into the triac. Because it is light that makes the optopcoupler work, it provides a physical barrier between the high voltage power circuitry and the low power control circuitry. Hence the term opto-isolation. HERE is a .pdf document on Optocouplers and fig.8 on page 2 is the circuit to use for a trial switch. I just need to find the time to sit down and work out the component values!
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You are not the messiah wolf, you're just a very naughty boy. |
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