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| Stage Management From calling cues, to giving notes to actors, to putting down glow-tape. |
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any ideas on how to empower teenagers to become stage managers for their peers' productions...pit falls to avoid??
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Before you approach anyone, look for particular characteristics in potential candidates. Organization is key- there's no such thing as being too organized! Confidence (without being overly confident- that can get somebody hurt), or the appearance of confidence anyway
Ignore the old belief that a Stage Manager has to be mean and intimidating. Respect is what you're going for, not bragging rights that you're the God of Stage Managers and go around demanding respect, order, and obedience. Again, this must be earned. It really is possible to be a friend, but a good SM should also know when to put their foot down. Get too buddy-buddy, and cast & crew alike will walk all over you... All for now. Best of luck in your search
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The meeting of Procrastinators Anonymous has been postponed... |
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I have to say, jumping into the stage management world, whether it be high school or local community theatre, it helps to "assist" a Stage Manager in the job prior to taking on the full role.
Stage Management is about being a leader. As thatactorguy said, you have to know when is a time to be somebody's friend, and when is a good time to put your foot down. I'd have to say the hardest thing for me at my high school, is during a rehearsal when the actors not busy at the time all have side-chatter and my director prefers it to be quiet except for what's happening on stage. Its easy to tell them to be quiet, but incredibly tempting to talk to your best friend sitting next to you. Hypocracy can be difficult to over come. And when you say pitfalls to avoid, the first thing that comes to mind is: Define exactly what it is you're looking for them to do. For our school's theatre department, the Director/choreographer wants every step and every dance formation written down and possibly a diagram to go with it. Our winter musical, run by our music department, the choreographer already has it all written down for herself, and wants nobody stepping on her toes. As thatactorguy said, someone should not just jump into Stage Management. A good background in at least tech, if not acting as well will help them do their job more successfully. This past year during our Winter Musical it came to my attention that a girl who was running spotlight left school early because she was sick, and wanted to return for that night's dress rehearsal. Our school policy did not allow such. Our director said, "I guess I have to let her go then," and I said, "I'll do it, its part of my job." In these situations they have to be able to state the facts in the most genuine way possible. Its difficult to tell one of your good friends they can't participate. You have to decide where the line is with the students. I've found that I've gone through shows where a few of the cast may not like me for being strict, but I got hugs during hell week and "thank you's" from actors I've never spoken a word of conversation to. Its one of those job that's much more satisfying in the end. And its a great feeling when you know you made the show run, and it actually ran.
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Ben Green Lighting Designer Student Technical Director North Kingstown High School Auditorium |
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thatactorguy is bang on - the only thing I'd add is look for someone who can be very tactful when they have to, but can also cut to the chase when necessary! The thing I've found with young SMs is that they have to be absolutely totally consistent - which can be tricky; it's much easier to be tough on someone who isn't a close friend. But if you're not, then you (rightfully!) will be accused of playing favourites and this can cause all sorts of problems. And if you can prevent them dating the actors it helps....
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