|
|
||||||
| Notices |
| Theatre History Discussion on the history of theatre. |
![]() |
|
|
LinkBack | Thread Tools | Search this Thread | Display Modes |
|
||||
|
If I remember correctly, it stands for Digital Multiplexing. I believe AMX was Analogue Multiplexing.
__________________
C.W. Keller Master Electrician Pageant of the Masters Laguna Beach, CA Always remember: Pillage first, then burn. |
|
||||
|
Digital Multiplex. 512 is the number of usable addresses in the serial stream.
AMX192 is, of course, analog multiplex with 192 samples per frame (though perhaps in the CD80 days it sometimes had only 96, from what I infer). DMX512 is largely based on old Colortran Protocol, which was renamed "CMX" following the popular convention. AMX192 is a formalized Strand CD80 Protocol. And then there's the other proprietary Mux protocols. D54, K96, LMX, and so on. |
|
||||
|
This information is clearly presented in our glossary, and thus, if it weren't currently down due to an upgrade, you'd be in serious trouble for not checking there first, mister.
__________________
|
|
||||
|
Quote:
I worked at Colortran back in 1987 - 1989. I can remember our protocol wich, now that you mention it, is a lot like DMX512. I can also remember (embarassingly) thinking, "DMX is a fad. It'll never catch on." (If I remember correctly, we had a break and then the data came down the line like DMX starting with channel 1 and counting up. Another break signified stop, we're starting over, and the data would come again. DMX inserts start and stop bits in there for each channel. If I'm not getting this right, someone please correct me.)
__________________
"Quini, quidi, quici" - I came, I saw, I played a little quidditch. If you are using and enjoying ControlBooth.com as much as I am, please consider becoming a Premium Member. -Thanks |
|
||||
|
Quote:
I've had to figure out this whole basic thing in a side project I'm tinkering with, of multiplexing a bunch of camera tally lines onto a one-wire bus. Since I have only one bit per address, I'm going to interleave short-width clock and long-width data, borrowing an idea from NTSC and making the clock be a negative pulse (easier to discriminate at the receiver); and then a long frame break. Funny how all of these mux systems end up being the same basic animal... |
|
||||
|
So YOU'RE the one who built my Prestiges (right now I can think of five, without trying too hard) and D192 dimmers. I've been looking for you....
The early history of USITT DMX512 is well-documented in the book, The Speed of Light, by Linda Essig. I suggest everyone read it, so we can stop having these conversations.
__________________
|
|
||||
|
Quote:
Is this supposed to be common knowledge or something? I also looked at, oh, maybe twenty or so different websites and nothing was found. Maybe a Wikipedia edit is in order?
__________________
I'm somewhere... Last edited by lieperjp; September 10th, 2008 at 05:14 PM.. |
|
|||
|
pretty much every book or website that ive checked out in lighting and lighting history mentions dmx as digital multiplex. what sites did you look at?
__________________
Ross Zentner Lighting/General Stage Techician Live the theatre...artificial life and light can change. - Eric Strickler In the right light, at the right time, everything is extraordinary. - Aaron Rose |
![]() |
| Tags |
| dmx512, stands |
| Thread Tools | Search this Thread |
| Display Modes | |
|
|
Similar Threads
|
||||
| Thread | Thread Starter | Forum | Replies | Last Post |
| Cheap USB to DMX512 convertor wanted | kmkonline | Lighting | 5 | February 21st, 2007 09:17 PM |
| lighting stands | jacobbiljo | Lighting | 0 | March 28th, 2006 06:20 PM |
| stands | avkid | Scenery | 1 | March 31st, 2004 07:00 PM |
| Cheap desktop mic stands... | ProfessorAire | Sound | 3 | February 17th, 2004 12:39 PM |