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| Theatre History Discussion on the history of theatre. |
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Now the origin story that I learned in college had to do with a 19th. century actress. I don't recall the name. Just before a performance, someone said "Good luck!" to her. During the performance, she fell and broke her leg. Hence the superstition regarding "Good Luck!" and the substitution with "Break a Leg".
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C.W. Keller Master Electrician Pageant of the Masters Laguna Beach, CA Always remember: Pillage first, then burn. |
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That's interesting... Seems *slightly* far-fetched, but at the same time i can see how it would make sense... ^^
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As far as superstitions: don't walk under ladders, don't peek between the small splits in the curtains behind the actors to view what's going on from backstage, (got in trouble for both of those, because I did them when I was first starting out in drama in hs... lol.) There are other superstitions mentioned here. Theatrical superstitions - Wikipedia, the free encyclopedia |
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On the other hand - I walk under ladders all the time. I occasionally whistle on stage, blah blah blah, and I have had no problems with crazy random happenstance occurring in otherwise unexplainable ways... xD |
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Yup. Back in vaudeville days, producers would always book more acts than the evening could accomodate (in case some acts got canned / boo-ed off, etc) so you would only get paid if you broke the the visual plane of the stage. ie got past the leg curtains and onto the stage. Hence: "break a leg" = "Hope you get onstage and actually get paid."
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Cheers! Sean Stone "If all the world's a stage, I want better lighting." |
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For dancers (particularly ballet), "Merde" is used instead of "break a leg". (See the lyrics posted by Icewolf08, earlier in the thread.)
[Merde is French for sh*t.] Joe |
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Back to Sayings and Superstitions: Can anyone explain the meaning and origin of "making one's 'nut'" as it relates to theater?
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achstechdirector (March 21st, 2009), gafftapegreenia (October 14th, 2008) | ||
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The second expression probably evolved from "Make one's bones" which has been attributed to a rite of passage in organized crime by killing somebody, thereby earning a reputation. I am not sure how it relates to the theatre unless it involves over-tightening a cast c-clamp without a safety chain attached, thereby killing an innocent bystander below. |
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