Recent content by Micklure

With the didge, I would think any decent dynamic would sound good. Heck, treat it like micing any other lower wind instrumentsFor the cajon, I might be able to offer a little more insight. My undergrad is in percussion. Generally, a cajon player is mimicking a drumset - the slaps near the edge...

Quite an ensemble, it would seem. Are you recording this or just doing it for amplification purposes? If the latter, what's the space like?I'm having a flash back to middle school talent shows in cafetorium. Geez luiz.

Just to follow up - you were exactly right. The issue was the normalling setup of my patch bay. Many thanks!

Thanks for your quick replies! After Kyle's advice, I did a lot of learning about patchbay normalling; there's so much I didn't know. What you're both talking about seems to corroborate my experiences so far. When I get to work this morning, I'll re-evaluate with this new knowledge.

Hello fellow ControlBoothians. I'm trying to setup a monitor mixer. I've got inputs hard wired into my stage that come to my control booth patch bay. In the patch bay, I can then patch those inputs directly into my FOH mixer, or (allegedly) into a series of Pro Co MS82 transformer/isolated rack...

So I just took over a job for which I interned for several years (take that, unemployment). I'm the TD for the primary performing arts hall for a small university. Instead of a typical theater with curtains and the like, it's a proper concert hall (see pic attached.) No curtains on stage, lots...