Hey, I thought we could share pictures of our shows...

Evil Dead The Musical at The Central New York Playhouse. Set design by Navroz M Dabu, Set construction by Dan Rowlands, and Lighting design by Marguerite Beebe.
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1522264_10153626944365092_1810696357_n.jpg B&B Flower petals Dropping.jpg B&B Logo loop.jpg B&B village scene.jpg Wizard of oz bleedthrough.jpg Wizard of OZ Farm Rehearsals.jpg Wizard of OZ Logo loop.jpg Wizard of Oz Rainbow.jpg Wizard of OZ Wizards chanmer.jpg Wizards chamber Reheasals.jpg These are from 2 panto's I have worked on, I am the sound and AV technician. I made all the Projections from scratch, let me know what you think!
 
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Into the Woods, thank god we're done with this one. Cast wasn't ready but somehow they pulled it all together. But my stress was through the roof.
 
Lend Me a Tenor. Grabbed some quick photos from my cell phone under rehearsal lights, so sorry about the glare.

My favorite part about the set was the door between the two bedrooms. We made it so that it could open either way, and we could change which way it opened at any time. The actors never really figured it out. They just thought they kept forgetting which way the door opened. Then during the curtain call when everyone is running around frantically it was free to swing both directions.

Very proud of this set. I was sad to see it go.

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Getting closer to getting our Christmas decor up. Oh hurray Christmas...
 

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Here is one more from the show.
 

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Ok, so here I am , coming back with a vengeance. Well, not really, but it has been quite a while since I have been around and I have some new show photos. For those who have not been around long enough and are too lazy to go back and see former posts of mine in this thread, I shall enlighten you a little. In addition to being the ME at my theatre, I am also the staff photographer. I also run a small photography business, and have many clients who are theatre companies. However, the work you will see is only shows I have actually worked on.

Our current production is "Peter and the Starcatcher," we opened last week, and have a bunch of the run left to go. Also, if you happen to be in the Dayton, OH area in June, our production will be traveling there as the current tour is falling apart and our production was purchased to fill the gap (a very strange occurrence, but kinda cool). Of course, if you happen to be in the SLC area before christmas, you can come see the show here!

Lighting Design: Michael Gilliam
Set Design: George Maxwell
Costume Design: Carol Wells Day











Lots of cool things in this show, including the portal stars which are 250+ individually wired LEDs, glowing magical trunks and more. Crazy amount of work to get to opening, but a beautiful show. You can see more images on my website. As always, I am happy to answer questions about the show or the photos!
 
Kind of mine, these are a few of my students' lighting projects this semester. This was their first attempt at lighting, so they only had 5 LED Par64s. In spring, they'll have access to around 30, including some moving heads. Program they are using is DasLight Virtual Controller, though our Auditorium recently upgraded to Clarity (which I'm not totally sold on yet). Some of the students had to work using older computers and had trouble getting the timings just right.
I picked out the best four of the ten or eleven projects. LINK
 
Working on the big Christmas Show for our Church renter...

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the two lite bright walls took the longest to build, over 1600 clear plastic cups, then they built a pixel mapping image so that every cup was a single color for most effects using a 6k projector on each wall...

rehearsal shots

Have a great Holiday everyone

Sean...
 

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Mario Christmas, sounds like a fun show.
 
I've been a long-time browser, but finally decided to sign up today. In reading this thread, it is amazing the wide range of venues and shows that are worked on.

I am not a FT LD, only for special events and shows for my church. I had 11 days to build a show from scratch for Christmas, while still working a FT job (50 Hours/week) I spent around 80 hours, I dont know if that is good or bad for a 80 minute event.

I am pleased with how this one came out. I was responsible for all lighting. (Fixture placement, rental, show design, etc)

We put together a time-lapse of the show too on vimeo.

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Hi everyone, first post for me, but I've been reading for a good year now. It's not much and certainly not as cool as Alex's stuff from December, but I worked a fun little MA on PC2 rig at Big Night Baltimore, and I thought I'd share an image or two! It was my first time solo on an MA2, and most of this was rough and busked from presets I made in a matter of seconds, but it was great fun. Really enjoyed LED strobes over Source4s flashing on and off to simulate the effect.

I also did The Music Man back in December, but I was so busy I didn't get a chance to snap a photo and no one is sending me any! If I get any I'll add them.

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Light and sound provided by Harford Sound/ElectroSoundSystems

Just because I have it, here's one of Carson posing for me; he played our Jacey Squires in The Music Man:
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Just made a time-lapse video from our load-in day last Friday. Not a finished product yet, but we still have a lot of time.

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The girl in the red shirt at the end, I couldn't help but laugh as she "supervised" til she had to vacuum the stage.
 
The girl in the red shirt at the end, I couldn't help but laugh as she "supervised" til she had to vacuum the stage.
I literally laughed out loud! Didn't even notice her until now. Absolutely hilarious. And she's one of the few that are easy to keep an eye on.
 

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