Conventional Fixtures A New Source Four Color Frame? Why?

derekleffew

Resident Curmudgeon
Senior Team
Premium Member
Complete story here: New Source Four Color Frame.
proxy.php


Has anyone ever lost significant sleep over the cost or weight of the S4 color frame? Why can't these companies stop inventing things I'm pretty sure I don't need, and start inventing things I don't even know I need?
 
I was totally losing sleep at night over the weight of a S4 color frame, this has solve my problem!
 
Because... they can? City Theatrical will make anything as long as it involves cold rolled steel. Also if changing your color frames lets you come in under weight you need to re-look at things.
 
Last edited:
I think the point the site made about rental houses is the strongest. I can't even begin to imagine how many frames for S4s rental houses go through. Sure they buy a TON of them, but think how many never come back cus the renter "misplaced" the frame :rolleyes: It actually makes sense...to me at least.
 
I would be more imnpressed if it made the entire weight of the fixture 33% less, but that would have to defy the law of physics.
 
...City Theatrical will make anything as long as it involves cold rolled steel. ...
According to the blurb, it's made from .030" aluminum and similar to an S4PAR frame without a hemmed edge. I haven't a micrometer handy, anyone know the thickness of a "real" colorframe?

... rental houses is the strongest. Sure they buy a TON of them, but think how many never come back cus the renter "misplaced" the frame ...
The more an item costs, the more the rental company can charge for a non-returned item.

So in addition to specifying standard, high-output lamps, I now must also specify genuine, steel ETC color frames?
 
When I purchased 48 new S4 Pars last year, I stopped using PAR64's thus needed additional c-frames. I knew I wanted metal for the S4's, as I run them at 750 and the paper frames burn in the inside circular edge.

ProAdv gave me a good deal on frames, but a metal, black painted frame currently lists at between $5.40 and $5.65 EACH (model dependent).

I'm not a shop, but still - when you are buying 150 of these suckers, $5.50 vs. $2 for a paper safety frame adds up and hurts.

If the new City Theatrical frame saves $.60, I just saved $100 or so, which makes it worth it.

Then imagine a shop with a thousand, or 10,000.

Steve B.
 
The new frames would also have less momentum when someone inevitably drops one from the catwalk and proceeds to slice open the nice upholstery of the seats below. More of a moot point in that sense.
 
Ever see how PRG itemizes units? Its broken down almost to the bolt!


Yes in fact I have. I know first hand what they count and what gets skipped over. I small show that comes back during a slow time will get counted in with a lot more care than a big tour that comes back while the shop is busy.
 
According to the blurb, it's made from .030" aluminum and similar to an S4PAR frame without a hemmed edge. I haven't a micrometer handy, anyone know the thickness of a "real" colorframe?

Well as a matter of fact, yes.

"Real" color frames are only .018 inches thick and made of steel. This is just a tad over HALF the thickness of this new aluminum color frame. The weight becomes a trade-off when you switch from steel to aluminum, then double the thickness of the latter.

Of note- Apollo ThinLine gel frames are .010 AND made of aluminum. This is an incredible savings in weight. (Though not in the negative numbers as some would like to see (including me)...)
Cost? The MSRP of 6.25 inch frames are $20.00 for a 10-pack, and 7.5 inch frames are $25.00 for a 10-pack. Thumbing through my copy of 'Elementary Math For Dummies', this equals a paltry $2.00 for each 6.25 and $2.50 for each of the 7.5 inchers.

Operators are standing by.....
 
Of note- Apollo ThinLine gel frames are .010 AND made of aluminum. This is an incredible savings in weight. (Though not in the negative numbers as some would like to see (including me)...

Great! :rolleyes: So Apollo has a Super Frame too. Sorry to the folks at Apollo and City but I just don't see the need for these. I suppose if you had a MONSTROUSLY HUGE rig touring or a rental shop that ships LOTS of gel frames around you might save enough in fuel expenses to make it worth while. But for the vast majority of us I don't see why we need them. They still work the same way and can be a pain in the butt to feed gel into at times.

Now the Selecon "Grippa" on the other hand is a true super frame. It's got two sides that are hinged to fully open and snap together to tightly grip the gel. Of course it's plastic so I doubt it's safe to use in a non-Selecon instrument. Now you guys go figure out how to build a frame for a S4 out of metal that works like a "Grippa" and you've got a super frame we will all be interested in.
 
Great! :rolleyes: So Apollo has a Super Frame too.


Well, we introduced the Thinline Gelframe in 2002, but had not pushed them with dedicated real estate within the catalog in recent years. I'm not going to attempt to convince anyone they absolutely NEED this product but they are lightweight, and they are very inexpensive.

If you need them, just let us know-
 
Well, we introduced the Thinline Gelframe in 2002, but had not pushed them with dedicated real estate within the catalog in recent years. I'm not going to attempt to convince anyone they absolutely NEED this product but they are lightweight, and they are very inexpensive.

If you need them, just let us know-

I guess I don't see why others are fussing over a new gel frame. You have the right aproach.

I cant imagine a theater placing an order to replace the old stock and simply throwing the old ones out. If you find that you are running low on frames now you have some options when you buy more. If no one buys them they will end up in the discontinued section and no harm will be done.
 
Here's a question, is the weight and price savings on Aluminum frames enough to counter the fact that they must be significantly easier to bend out of shape? I have so many techs who come in and insist on bending my steel frames to get the color in, I can only imagine that using a more malleable metal just makes this problem exaggerated.
 

Users who are viewing this thread

Back