Once again, I have been volunteered to do lighting for my daughter's dance recital. I'm looking for any suggestions on the best way to do it. This recital is for kids 12 months thru 18 years old, with routines ranging from ballet, tap, hip hop, to Irish step.
The facility is a local highschool with a good football program. The stage is roughly 40' wide, 20' deep, and about 90' from the proscenium to rear auditorium wall/"projection booth". Existing lighting consists of about 10 Lekos (about half of which have working bulbs and none are gelled) and a row of parcans gelled red/yellow/blue behind the grand drape, all fed from a LMI bluebox dimmer at least 25 years old. I have about 3 hours to load in and set up, and no way to access the existing lighting battens, so any lighting I bring in has to be freestanding.
In the past, I have set up some 8" fresnels SL/SR gelled pink/light blue to provide some sidelight, another set to light the backdrop, and a row of footlights to help provide some fill. I also used some LED PAR38s to add some uplighting to the curtain between numbers. I have a lot of PAR64s available (I bought out all of the ones from a Hollywood Video store when they closed - 30 of them for $100, never powered up), but am limited on the number of shoebox dimmers I have and avaliable power. For control, I use a laptop feeding a DMX adapter and a ADC to drive the bluebox.
I would like to add a bit more color this year, and would love to even up the lighting as the limited numbers of working lekos are not always aimed where I would like them. Any ideas? I was thinking adding two more booms SL/SR at the downstage edge with some of the PARs, but the angles don't seem like they would work out.
/mike
The facility is a local highschool with a good football program. The stage is roughly 40' wide, 20' deep, and about 90' from the proscenium to rear auditorium wall/"projection booth". Existing lighting consists of about 10 Lekos (about half of which have working bulbs and none are gelled) and a row of parcans gelled red/yellow/blue behind the grand drape, all fed from a LMI bluebox dimmer at least 25 years old. I have about 3 hours to load in and set up, and no way to access the existing lighting battens, so any lighting I bring in has to be freestanding.
In the past, I have set up some 8" fresnels SL/SR gelled pink/light blue to provide some sidelight, another set to light the backdrop, and a row of footlights to help provide some fill. I also used some LED PAR38s to add some uplighting to the curtain between numbers. I have a lot of PAR64s available (I bought out all of the ones from a Hollywood Video store when they closed - 30 of them for $100, never powered up), but am limited on the number of shoebox dimmers I have and avaliable power. For control, I use a laptop feeding a DMX adapter and a ADC to drive the bluebox.
I would like to add a bit more color this year, and would love to even up the lighting as the limited numbers of working lekos are not always aimed where I would like them. Any ideas? I was thinking adding two more booms SL/SR at the downstage edge with some of the PARs, but the angles don't seem like they would work out.
/mike