Recent content by Jim SIP

There's the problem. I'm always recording bands in Bars, Restaurants and Concerts. Everything is setup and teardown. The AW2816 and AW4428 are top-of-the-line for mobile recording 16 & 32 inputs. The ADA8000 is the best Pro-8 Digital ADAT pre-amp and it eliminates ground loop and RF interference...

I don't think the former County Attorney Paul Logli wants to hear about a video production company with the name "Screw" in it ;-) Besides our studio is in Davenport, IA. I'm glad to hear you Escaped. I don't do any work in Rockford. Who does? if you where into Audio, you must have met Dwayne...

Thanks TMM for your advice. I checked to see how the multiplexer worked in generating the newer S/MUX ADAT signal and if only 2 channels had data the stream would be smaller. The older ADAT did transmit mute channels.I don't see why the cable length is an issue, other then light strength...

I understand why you are wondering what is my goal. Yes, I do have a ADAT card in the AW2816 and I have run the 50 feet of lightpipe cable between the two but not using all 8 channels. It gets a sold signal at 50 ft but I know coax has always been used to carry Sync in the studio, for cascade...

Hello,I read a post from 2008 on BNC vs ADAT signals and I wanted to hear how it all worked out.My setup is going to be similar with 20 ft of lighttube from a ADA8000 to a Yamaha AW2816 DAR.I don't want to depend on a 48Kh signal on a 20 ft ADAT connection.The problem I see is a RG59...