Recent content by LandonParks

I did not think of sharing microphones. We could potentially wire each actor with mic's and then just share body-packs between them. Personally, though, I would much rather just throw a mic on anyone who has any kind of substantial part in the show. In Narnia, for example, we would mic the 4...

The check I did through IAS Wireless software gave us 12 usable frequencies in "A", 12 in "B" and 13 in "G". Thats allowing for at least 1Mhz spread between each frequency.

The Orchestra for Into The Woods did not really wash-out the actors at all. They had it set-up with the orchestra on the right side of the stage, separated by a 3' barrier around them. Sitting in the second row, I had no trouble at all hearing the actors. However, in a review in the new paper I...

We'll, we are a producing theatre with a 6-show season. This year, we are only doing 2 musicals and 3 plays. For this space, I would NEVER mic the plays.I was looking at the Senn 100 G3 series with 11 cannels to start (to mic the principles in narnia) and then build on the system slowly as...

Good morning everyone. I have a question related to wireless mics. We have a 120-seat venue that we are going to be presenting Narnia the musical in this December. It has a 7-piece orchestra, and I would like to know if we should invest in wireless microphones for the actors? The actors we deal...