Recent content by Matt Marcus

Complete!

For a long time a common camera was the Panasonic WV-CP480, which we're currently still using tor the FOH shots. Ours are set to B&W for the IR shot, but can be color as well.

Admin-Will you please shut this particular thread down? It is unhelpful and full of misinformation.Information about this public health crisis needs to be coming from the WHO and CDC, not a bunch of theatre nerds spitballing.Thx.

As a side note-ASSuming these are licensed productions from MTI, DPS, etc., You want to be EXTREMELY careful doing this type of thing. Every licensing agreement prohibits audio or video recording of the production, in any form. In some cases, there's an allowance for archival purposes. If any...

Are you sourcing the monitors pre, or post fader? Are you putting any vocals into the monitor mix, or just the playback?

University of Arizona School of Theatre, Film, and Television-20 channels of Shure Axient with the AD1 packs- TA4 connector version. Love them. We're using them in a Dante network. Great performance and the hardware/ software ecosystem is extremely powerful.

Aside from all the good responses above- especially Tim’s about teaching critical listening, if you want to get into Dante, simply purchase enough AVIO adapters to cover the number of outputs necessary. $125 per pair of outputs is quite affordable.

nah- it’s for a capstan winch, not a chain hoist. Quite a different animal. Thanks, though!Mm

Thanks- Much appreciated!Mm

hi folks!After many years of muscling up inverts, we recently purchased a capstan winch for our local grids. I’m building a base for it and have no desire to reinvent the wheel. The last show that came through with one was probably Phantom, 3 or 4 years ago. I have a general recollection of...