Recent content by mwalkertx320

My actors are always complaining that they can't hear their music on stage. We use mostly canned music. We got 4 monitors flown - 2 L/R in front of the apron and 2 L/R immeadately behind the proscenium. I can walk the stage and coverage Front to back, and Left to Right seems even. It get's to...

We've got the same setup, and mine usally goes across the bottom. I did put a strip across the very top with channel numbers. I do use regular white gaff or electrical tape, but always remove it after a run.

We currently use a Allen and Heath GL3300 - 32 channel. I've been verry happy with it. We also use a Mackie 12 channel and A&H MixWizard (24 channel) with our traveling system. I've used some of the bigger Mackie's and Behringers at other places. I've never been one to be able to hear the...

We run 14 of the E6 omnis in our productions. For the most part I love em. They do seem fragil - the capsuls tend to snap off easily. I usally have at least one during each production end up breaking. I don't know how - but usally during the show I'll end up with just a funky buzz or something...

Not knowing your space it's hard to say. We're a 200 seat space (120 dinner show w/120+ show only). My general rule of thumb is we mic all musicals, and non-musicals don't rate my services. We do 4 dinner shows a year plus several youth productions, and the last few years have seem to be...

We run 14 of the ULX at our place with the E6 omnis and SM58 hand held units and have been pretty happy with them. We've had these for about 5 years now, and they replaced a 1/2 dozen VHF AudioTechnica's. We did buy 3 of the Sony (not sure of the model but they were 6 receivers to a rack) UHF...