Recent content by np18358

I have searched for a long time to find a device to do this and finally found this unit which is seemingly the only one on the market.https://www.nemesis-research.com/dmxvf?fbclid=IwAR0sh_6CxzTJfqkyGE8IwOpj_hYojQZbsziDA_1eSlP_AG1jttWJuZ6_ve8

I can't recommend the Via12 switches enough. I have used them so many times, never had an issue. The ease of configuration and entertainment specific features make them hard to beat.

I'll echo the MDG. It is the absolute best haze, and you will certainly be satisfied with the hang time and persistence. I have used both the BaseHazer and Unique, and neither comes even close to the quality of the MDG. Have not used the antari.

Yes they are amazing!! Are you aware though of any A11 or similar size with a medium base?? I saw one or two on Alibaba, but I think it was just a bad listing.

Does anyone know of an 25 watt A11 Lamp E26 base with a vintage or Edison filament. Need to be e26 and small like an A11. Would be open to other shapes but it must be small as they are going in Mason Jars and e26 base to work with existing inventory. Really really want vintage.Thanks in advance!!

I have searched and found a few different threads on intercom but none that address these models specifically.I already have a CC26 that I like because it is so lightweight and comfortable. Started doing some more concert stuff recently and it simply doesn't provide enough isolation. I have to...

Perhaps consider the QLX-D??. Again, I am not sure about the compatibility with your existing antenna distribution system, but I am sure that Shure, given the fact you are sticking to their products, could provide you with information.

ULX-D does not operate in the 2.4 band. It is as @TimMc described in blocks. It can however tune many more mics per TV channel than the older RF (ala SLX and ULX s/p), enabling you to really search around for good frequencies. Good frequency coordination is essential to good system operation...

I agree with the above recommendation to speak with a dealer who specializes in Theatrical Sound. I have worked with the Shure ULX-D and they are truly excellent, and seem like they would be a natural progression based on having some of the (incompatible) ULX S/P. Crystal clear audio, and they...

Do you perhaps have a specific price you were looking to spend total, or even per channel?

Try out Festool. They are very expensive, but I worked at a scene shop that used them, and they were amazing.

Looks similar but not the same as a TMB LED Solaris Flare Jr. Your image appears to have about half the cells as the TMB one.

I do this with either an inhibitive sub, or an independent sub. With an inhibitive sub, you could simply press and hold the bump button for the sub, record the cue and then release it. Both of these are show-based, and not desk based.

I agree, US is better. No one has brought up difficulty of sidelighting dance DS of the proscenium. You either end up with no side light, and this huge apron that is unused, or you have to see the instruments.

I might add that a Theatrical Consultant would be a great addition to the project, if one is not already on board. They could help with not just lighting system design, but other Theatrical Planning as well. On a new build, a lot of planning needs to go in to coordinating with the Electrical...