Recent content by theatremowat

I've done this show before as well. It can be done on only one level, but it is much more effective on two. The second level doesn't need to be large but if you can even get a small platform just to add some levels to your stage, it is much more effective.

Hey guys; So I'm doing my first major show outside. I usually work in theatre's, stadiums, that type of venue. So I'm not sure how to calculate the amount of power I would need when doing sound outdoors (in terms of amps). If anyone knows a specific way to go about this that would be...

I agree, you NEVER want your Director on headset, bad idea. And theirs nothing wrong with calling from in the audience. In my school our sound guy and SM sit together, in literally the middle of the audience, just be quiet, all your ASMs and OPs should be listening just to you so that...

Hey everyone; I'm a highschool student, completely self taught in both worlds of sound and lighting. Sound I do both inside my school, and professionally outside. However I've worked on lighting many times, done many of my own designs, etc. However I've only ever had the change to work...

I agree with a lot of whats been said, you can set it up just about any way you want and it will work, its just how good of a sound quality you want.The whole purpose of a crossover is to send only specific sets of frequencies to specific speakers (ie high to high, low to subs), and to...

Ok, well i'm defiantly more sound than lighting, and this is a really common problem. Feedback will never be the result of simply having two mics close to each other, to who ever said that. The only time that becomes an issues is when you have to many open mics in a condensed area.I've run...