Recent content by themuzicman

I've used StageTracks from Concord Theatrical and OrchExtra from MTI a few times over the years. For pure audio quality, StageTracks was fantastic because it was a real recorded Orchestra and the StageTracks folks worked with us to get us what we needed - I as the sound designer wanted stems...

10 per channel, 20 total if split across channels.All of the AudioCom products have jumpers and DIP switches you can set to force Clearcom Compatibility, unlike RTS/Telex.As long as you reset your AudioCom stuff into ClearCom mode (all clearly defined in the manuals for both the MS-2002 and...

$500 fancy chairs - Kolberg 3100H

Things change over time, doing coordinations every now and again is best practice - at least checking for new sources of external interference and making sure students haven't changed frequencies from the initial setup when the system was commissioned is a solid start.Well now we're getting...

The TinySA isn't instantaneous but it does have adjustable RBW so you can adjust to the needs of your scan. A low RBW value will give you higher resolution scans at the expense of speed, a higher value will give you increased speed at the expense of resolution. A scan is only useful if you know...

That's just an off the shelf connector with an SMD capacitor on a small PCB. I am a huge fan of the Rean version of the TA4F, 1/3 the price of the original Switchcraft version and much more robust (including water-resistant varieties) and a better latching mechanism.If this is like other...

I mainly mic up musical theater pits which get pretty cramped. Here's the bulk of my mic stand order when I put together rentals. I tend to dislike the stackable bases for a lot of things because they fall over too easily, and a sandbag adds bulk. I'll almost always have a few tripods around but...

Sure, AV Lifesavers boxes are a possible solution if you have a Clearcom beltpack to spare but they don't make any proper 2/4 Wire interface - the reason they are so cost effective is because they put the job of nulling onto a surplus Clearcom device in your chain. You have the Beltpack Breakout...

Adapting the Clearcom 2WR to this devices 4WR would cost more money than a 3-pack of headsets but it is doable and decently easy with the proper interface box. I'd suggest whatever interface box you're putting between this system and Clearcom would need gain control on both input and output as...

Page 8 of the Manual explains how to set Low/High/All on the frequency range of your device, I was mistaken thinking it was in the DIP switches, I was correct that it is set to ALL from the factory.There seems to be nothing in any manual about the DIP switches aside from Switch #4, which...

The most likely cause, 2.4gHz interference. The fix, limit usage of 2.4gHz wireless access points. If you can disable channel hopping on your networks and lock them to several broadcast channels this will mitigate some issues so that when the DX100 does a channel scan it has fixed targets to...

Elgato Streamdeck with Bitfocus Companion Software?If you need more flexibility than the QLab module in Companion I'd honestly just shoot Raw OSC from the Streamdeck into a hidden Cue List in QLab that has the OSC you need all pre-built that then targets the visible QLab window.

Why overhead and why 150'? Just above head-height is usually adequate, but hey it'll probably work. I typically prefer upstage/downstage as opposed to Stage Left/Stage Right but it really comes down to what kind of sets you are performing on and the challenges of RF pickup thru the setpieces as...

You'd need a Riedel NSA-002A to break out 4-Wire from the AES67 stream and then something like a Clearcom IF4W4, Studio Technologies Model 47A, or a Riedel IF-2104 (Not sure if those are still made) to turn the 4-Wire into 2-Wire.

If you want the top in technology and you have a budget, a Riedel Bolero standalone system is the move