Recent content by Tyler Lindsley

That's the way the contractor setup the system. I agree. I'd prefer to have a preset to turn them on.No, they die wherever.Am in the process of changing our plot around, planned to update firmware on all fixtures once I've got everything back up.

As an update;When we shutdown in March due to COVID, I shut off all of our breakers and relays. Now, as I've began to start everything back up, I have 3 more of our ColorSource Spots DOA. So, they've had the power cut since March, and they are still 'dying'. Mind you, this is after I had...

If your throw is often 75-100', why not get a 5 or 10 degree barrel for your existing setup?

Our entire rep plot is LED. ColorSource Spots for front/box boom front, Elation Six-Par 300s for high side, VL ShowLine bar 640s for top/back wash. We have a few conventionals for specials (and getting some more in a few months)I am doing a big rental-heavy show in a different venue soon, so I...

We have a very small auditorium - I am referring to box truss positions along our walls. I know they are 10' OUT from the edge of the stage, but could very well be taller than my estimate. Am going through for measurements for the technical packet soon.

Our infrastructure is great. While I'm not entirely sure who the consultant was, I appreciate their thought put into the system. We have (more than adequate) data and power distribution (dimmers and relays) at all of our positions. We have 4 universes of DMX spread throughout the venue run on a...

Throw is (roughly) 10' up and 10' out from edge of stage. Have brand new dimmers, relays, DMX distribution - just adding new fixtures to further enhance the system. Musicals/plays, choral/band concerts, presentations, awards, you name it. Hoping to not spend more than $9500 per fixture.Really...

Good evening, I am writing up a grant to get some more equipment for our auditorium space. For those of you who have or have used Elation fixtures, what are your thoughts on the Fuze profile and Artiste Picasso units? We would be using them in a FOH position.Thanks!

I realize how TB assignments work. I am talking about the talkback input on the BACK of the console vs the talkback input on the front face panel of the console. I would like to use the BACK input to eliminate a cable across the faders. Unfortunately, since we only have the 320, I rarely have an...

Hi all, We have a Midas Verona 320. I have discovered there is a talkback input on the back panel of the console. I could not, however, get this input to function as a legitimate talkback source. What is the purpose of this input? Or am I just doing something wrong?Thanks!

Looking back on this thread, I have realized that half the problem can be aimed at the partition wall not properly sealing to the brick walls on either side of the opening. There is steel support beams sticking out from the walls that don't allow the partition to fully travel to create a seal...

Looking at 'permanently' mounting 2 above the stage for upstage monitors (FM12s are and will remain the DS monitors) and the other 2 would be available for wedges for special events, offstage monitors, or events outside of the theater.They'd primarily be used for pre-recorded music and light...

Less than $400, sorry, haha!

Looking to add some additional stage monitors to our inventory. We currently have db Flexsys FM12 units for downstage/backstage monitors. I want to add 2 additional monitors for upstage, but as we are limited on wing space I am looking into flying them. What units are <$400, have fly points, and...

We currently have 18 SixPar 300's - I love them! Looking into adding a few more to our inventory within the next year.