Theatre Traditions and Habits

I'd like to preface this with the fact that I am not personally a superstition guy, I just play one when I'm at work ;)


I teach it for two reasons.
1. Whistling is annoying and once I teach it the students police it very well.
2. I once toured a facility with a co-workers class and a student whistled. Our guide (a person for whom I have a great deal of professional respect) politely informed the class about the fact that you don't whistle in theaters because it's bad luck. The student whistled again shortly there after and our guide was much less polite with his second admonishment. I know that you can't stop all people from being rude, but I personally teach these superstitions (break a leg, Scottish play, etc...) so that I can be certain that MY students won't be the ones insulting people who go out of their way to share their spaces with us.



I do teach it to my tech students. Generally someone will whisper it in the theater the next opportunity that they get. As a generally laid back guy, when I get serious, the entire dynamic of my classroom changes. So when I inevitably catch them saying it I get very serious, very quickly. Remove the student from the space to be dealt with at a later time. And never have an issue with that group of students again.

This is generally during the first week of class and makes whistling and the Scottish play a non-issue for the rest of the year.


This is precisely the reason why I teach it. Let the students slip up while they are around me so that they can learn not to do so around others. I teach the superstitions less as something to be personally superstitious about and more as a way to show respect to people who work in our industry who are superstitious.

Also, I'll take any chance I get to help teach the youth of our nation to not be jerks and to respect other's beliefs.:D

The entire conversation above was supposed to be sarcasm, right?

These superstitions are kept up because they make things fun and light heated, and out of respect for traditions...because its fun. Being over zealous about these things is a real turn-off and makes me glad that I quit school, and got away from "real" theater people. It's supposed to be fun.
 
At our theater, whenever the TD (me) says the name "Kayla" ALL crew has to immediately say "Who's Kayla?" as loud as they can. I'd appreciate it if you would all do this also because I would find it very funny. It's a long story.
 
The Scottish play thing has become too annoying. It's one thing if someone wants to believe in it but there is no reason to pressure others into your nonsense. I am so tired of some people making it out to be something equivalent to religious fundamentalism.

And more stage managers should know that they are not above good habits/good etiquette. Actors should not be talking loud backstage, or on their cell phones texting with friends, or loudly running up steps backstage so I don't know how some stage managers think it's okay for them to do so. Definitely not a lot of stage managers but it's bizarre when I do come across stage managers who think they are above things that others are not allowed to do.
 
One habit I was taught was the use of "dark" versus "closed" when referring to the venue. Saying "The theater is Dark" implies a day of no activity whereas "The theater is Closed" indicates it is no longer open for business. A good habit to get into if you're someone who frequently communicates with patrons.
 
Oh!! The bane of my existence! I'm so glad we got away from our little Mackie mixer because this issue! I'm sure that some mixer design engineer had a good reason for designing these mixers in this fashion, but as a mixer operator - I never could figure out why!
Also the rude solo light. Absolutely love the mixer with that excepted.

Sent from Taptalk for Android, this was.
 
Also the rude solo light. Absolutely love the mixer with that excepted.

Sent from Taptalk for Android, this was.

I got a chuckle from the Mackie Tech manual in this section:

RUDE SOLO LIGHT

This flashing Light Emitting Diode serves
two purposes — to remind you that at least one
channel is in SOLO, and to let you know that
you're mixing on a Mackie. No other company
is so concerned about your level of SOLO aware-
ness.
 
I'm so excited to replace our aging, dying Mackie Onyx with an X32.


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having used both, you'll love it.

It's not even because it bothers me. But I've had more success training our soundcraft Expression then the Mackie.


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I actually liked the mackie boards I've used, but the x32 is fun, easy to use and I don't regret upgrading to it for a second.
 
TAKE THE TAPE OFF!!!! (Personal bugbear)

Curtains are walls. Don't move the curtain - go around it. (Unless you've been told to i.e. moving large set peices etc...)

Don't bring anyone on stage / backstage without SM permission.
(Same with booths - whoever's in charge of it)

If it's lighting's time in the theatre, don't turn on lights or open doors without checking. (Most people don't but sometimes worth mentioning)

In a dark (blacked out) theatre, don't point torches* at people's faces. (Just good advice in all torch-wielding situations...)

*Flashlights
 
RE: Being on stage.
Even when I was on (facilities) staff I wouldn't go on stage unless I had to. Too many traps and dangers, and they change show to show. Plus they always seemed to be painting the deck...
 
Though, I did work with a sound designer once that swore by faders, and he had all his auxes configured post-fader and left all channels unmuted the whole show, and just manipulated the faders to bring up mics. Seems kind of over-complicated though considering he had roughly 50 channels to mix.

This is how you normally mix theater shows, especially musicals. It's line by line mixing. Using mutes can make late pickups (which shouldn't happen often) sound more natural as it fades in as opposed to snapping in. This also makes mixing overlapping lines more fluid. Generally you are mixing on VCA's though and not individual channels.

As fars as habbits:
- Always label everything (cables, patches, board, etc) so someone else can jump in for you in the event you get hit by a bus
- Do your paperwork and make sure it's up to date. It should also be in a place that is easily accessed.
 

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